writers connection

Estratto dal pamphlet scritto da The Ramm-Σll-ZΣΣ (conosciuto anche come Ramm-Ell-Zee, RAMMΣLLZΣΣ, Ramm:Ell:Zee, Rammellzee o RammEllZee) sull’estetica del Panzerismo Iconoclasta spiegata e illustrata dal proprio ideatore. Questo testo, nella sua prima versione redatta nel 1979, è stato presentato alla prestigiosa Biennale dell’Arte di Venezia tenutasi il medesimo anno. The Ramm-Σll-ZΣΣ è stato il primo graffiti writer della storia ad esporre le sue opere alla Biennale di Venezia. The Ramm-Σll-ZΣΣ è stato anche un importante innovatore dell’arte del rap. Con una varietà di stili sin dagli anni 80 ha ispirato artisti internazionali del calibro di Beastie Boys, Cypress Hill ed ha collaborato con vari artisti fra cui Bill Laswell e Material. Compare inoltre in due classici del cinema hip hop della golden age: "Wildstyle" di Charlie Ahern e "Style Wars" di Tony Silver e Henry Chalfant. Il titolo del suo ultimo album è "BiConicals of The RammEllZee" prodotto dall’etichetta indipendente tedesca Gomma Records.

fonte: http://www.gothicfuturism.com/rammellzee/01.html

© Copywrite 1979 / Revised 2003

* EPILOGUE *

M x A = N has been placed by this unplanned
structure colony math to do the concentrating of friction-formation.
The equation G x O = D has placed two prophetic
universal (not according to this word-formation UNIVERSAL)
gambles.

One
universal gamble is the understructuring of a transversal register.
The letter by equation and answer to equation. The other universal
gamble is the reformation-equations to make the understructure make
itself the overstructure in an equation-evolution ornamentation by
monks who overstructured their idols and did not know that they had
remanipulated a disappearing point on a quantum transversal register.
The next point of appearance to the register’s structure was known
as armanamentation in the universal gamble of word-strategy
reformation by the reformators and themselves the receptacles. Once
again this is Ikonoklast Wars, but this time it is not the
receptacles, it is the quantum transversal registers armoured against
those the matter fact of abstract. O in the explosion equation
implosion the power of this infinities FOCI, (planet) show a vacuum
for a fetal formation to be possible due to the ladder, O shows
vacuum the element formator.

INFINITY’S
ZOETICAL COMPOSITIONAL JUNCTION

FROM ANTI-KNOWLEDGE MATTERED
A
CONDENSED ABSTRACT QUANTUM MECHANICS

Electromagnetic energy’s
knowledge conformed in a stable formation function protection around
any planet gives basis base for development of disease-culture, on
any planet with enough natural resources to conceive bacteria as long
as the orbit is the right position for that vital resource. Humans
being disease-culture (the body), spirits being gaseous energy
(disease-culture manipulation). Death is remanipulation only be
electromagnetic knowledge energy leaving disease because of
malfunction of inhabited diseaseculture, other deaths are only
CHANGE. Electromagnetics’ knowledge disperses back into the course
of the Van Allen Belt’s (in purity). ‘’
dianetical path, continuing on in evolution’s path. Knowledge is
scattered throughout Van Allen Belt in minute knowledge-particles.
Life. Electromagnetics in a photonic stage to conduct energy’s
knowledge light (pure thought) which is in all atoms inhabits
compatible disease by fusing into diseases DNA nervous-system
structure-codeplan to energize the cerebrum before its embryotic
stage sharing and manipulating and being manipulated with the
composed knowledge of the atometric D x N = A
molecules and at the end of cellular construction is conformed into
biochemical energy and is dispersed through motor neutrons. This
structural symbolic procedure-code connects the Van Allen Belt as a
symbol

and the basic symbol for language for structural symbolic
translations transformations of slanguage for energy’s purpose
through the manipulation of insight and onsight of energy and
inhabited diseases. These completed symbols are: Roman, Arabic,
Hebrew, Chinese and any other symbol NOT resembling latter
language-symbols or pictograms.

Knowledge knowledges
knowledge, the elevation of WILD STYLE-knowledge is concluded as a
SYMBOL DESTROYER, ARMOURED, MEDIEVAL MECHANISM. This formation shall
be known as IKONOKLAST PANZERISM: R.O.K.: GOTHIC FUTURISM, THIS IS
WILD-STYLE CORRECTED.

SIRPIEREULE: is electromagnetic
structure-formation function protection register dealing with a
friction-formation of compressed electromagnetic knowledge and what
it remanipulated strictly from a subject Equation-Formation Latin,
warning any misuse without the representation and reformation of the
alphabet structure-formator as it leads you into apocalyptic AP x 0 =
CALY + PTIC wars will lead you into apocalyptic wars final formation
final.

This pamphlet holds, formates the knowledges to
translate a symbol, an universal symbol, the dictionary, all
word-formations and any sentence, paragraph, page or study including
the Bible.

With formations two degrees are left open for
discussion and in math: SUG – G x EST = IONS.

First codified
law (Roman) 449 BC. Ram catches bases for structure colony
mathematics of IKONOKLAST PANZERISM. Points stabilizing friction,
intake, outpush or thrust. Start with the structure of six, 6, 360,
of equaling or extending from zero degrees equals aerodynamics. This
is the reverse like 360 + 00. IMPLOSION/EXPLOSION EQUALS
0-0+.

PREFACE

(147 B.C. Roman period begins) (1140 A.D.
Gothic period begins) From the fourth century to the nineteenth
century a development of style remanipulated by monks known as Gothic
type, or Old English type, presently used by The New York Times and
Long Island Press. This is the PROTO-product of WILD-STYLING. To my
knowledge of letter-structure, separation of sound (verbal recording)
and word-formations English, Spanish and Russian, and any other
Slanguages using Roman letter-symbols or others are not a language,
due to universal symbolic thievery. The original verbal formation
(phonetic) for the Roman letter was Latin: (L+AxT= IN).

How
can a government be structured straight using a symbolic code
subconsciously remanipulated and its symbols do not belong to the
verbal formation. To my know edge societies and disease-culture
symbols have violated universal symbolic laws and shortcircuited the
electromagnetic code of the Roman lettersymbols and others used to
build a word, the definition of a word to build a society and then a
government and a future educational process to complete universal
transit system and manipulate (blood system).

To my knowledge
of the symbolic codes of the alphabet’s formation, it is very much
incorrect. The evolution of the Roman letter structured in the
formation: ADEBRKPFLHIJTMGOQCNSVWUXYZ and the SlRPIEREULE-formated
structures. The construction of most of the symbols was remanipulated
subconsciously, J,U,W are conscious remanipulations. (Neutral) The
borrowing of subconsciously incomplete symbolic structures
(Phoenician), etc. Added to the design of the Roman letter-type,
these symbols are complete due to armament-structure in design of
IKONOKLAST PANZERISM. According to the degree of knowledge of the
cipher, triangle and square. This is not revolution, this is
evolution.

MAN:

The
infinity or Van Allen Belt

‘a section-grafage symbol’ is based with electromagnetic energies
positive north, positive-south squared, negative north, negative
south squared, chemically based dry-based, and so-called anti-based
energies. This build/destroy symbol is for science, mathematics
(universal) to our life forms knowledge and not religion. The
symbolic structure X holds fusion (W x A = R)
according to this formation and pamphlet’s breakdown-strategy
(formated by its structure). The Roman letter-type and others have
been armed to assassinate and/or abolish this supreme symbol known as
infinity-sign by removing the X from this written structure.

This
is symbolic wars using slang and ionics to understand the very
outline-structure that makes A through Z its mathematics and science
for disease-culture to understand the consequences of structure that
have been disease-culturally sabotaged and trick-knowledged.

All
formations of word-knowledge are constructed under the symbolic
thoughts of the infinity-sign.

Motion in motion, power,
armed, stride with position straight, is known as the function
formation formula for and of IKONOKLAST PANZERISM: R.O.K.
REMANIPULATION, all the knowledge for military strategy for the
(BLOOD SYSTEM) of New York City, (Universal Transit
System).

First:
MILITARY FUNCTION RAMM*ELEVATION*Z

MILITARY FUNCTION FORMATION RAMM*SIGMA*LL*Z*SIGMA SIGMA
TITLES:
MAESTRO**SHA**RISSK** (BOO) METALS, DOUBLE DEE DEATH, HYTESTYR

REMANIPULATOR OF AND FROM GOTHIC FUTURISM**IKONOKLAST PANZERISM
(ROK) INTERROGATOR OF EVOLUTION THE LETTER (THE GRILLER)ISM*IN
IKONOKLAST WARS
ALL CITY PRESIDENT AND FOUNDER OF THE TAG MASTER
KILLERS *1974-1979*
LEGIONS ASSASSINS WIZARDS 1977-79*

MIC**CONTROLLER* (ECHO-BOY) SOS STIMULATION ASSASSINATION

Infinity’s electromagnetic knowledge shows that there are
two C cipher belts one is forward the other is reversed, (foci or
planet), and an electromagnetic knowledge starting a society, for an
established knowledge is A.D., according to the dictionary. All
knowledge-remanipulation, in the universal gamble, by Monks was
destroyed by ikonoklastic emperors themselves divided realms from
disease-culture sounds and formation C-O+dominion = A GOD, GIVEN
OMNIPOTENT DOMINION.

In 1582 the 13th Pope removed ten days
from the calendar, the next day they will stay is the year 2000. From
the fourth century to the nineteenth century outline of letter,
numbers and other universal symbols and disease-cultural structures
was in the hands of calligraphers. Since then the Roman letter in a
Panzer stage of evolution from the fourteenth century to 1969-1974
was complete subconscious toyism (Treacherous on your System). From
Bubble to structure (squared) and emotional outburst era 1974-1979
was a war-era, where knowledge formed about by itself through the
body, in the dark, underground. This is a ten-year cycle of so-called
graffiti development and elevation.1980-2000 separation between WILD
STYLISM and PANZERISM, the non emotional era, knowledge of it and
purpose of it, this is full evolution of the Roman letter-type and
others in so-called graffiti.

The present infinity-sign and
the symbol X: this symbol must be separated from the present
infinity-sign by IKONOKLAST PANZERISM. The only way is to go into the
structure on paper of space or dimensions of art of paper. WILD
STYLISM: “A So Called’ element of graffiti is base-derived from
Gothic text subconsciously. The Futurism is PANZERISM-design a
subconscious development. WILD STYLE: ELEMENT TECHNIQUES, CLASSIFIED.
(ISM)

‘WILD STYLE has no rules’ in itself to have no rules
is to be ISM the goal and the rule. Separation of unique
interpretations or basic symbolic construction, example: common sense
says the only basic symbol for a missile is an arrow, shown by the
Chinese, the ones who really started all recording verbal formation
symbols, several thousand years ago. NO GOVERNMENT IS ALLOWED TO
STEAL SUBCONSCIOUS SYMBOLS.

Style separation of the advanced
statement style IKONOKLAST PANZERISM. Registeration and Draftation of
three to ten style structures of which four are commercially based in
Futurism armament. From Transit records and elimination of style
interpretation and conception on a PANZERISM scale of design
advancement in drafting techniques, you have a choice to go in, out
or remain neutral. To anyone who challenges this pamphlet me outcome
is a word-formation breakdown on these styles of
reality-construction. Since PANZERISM is conceived on a flat
dimension, one phase of WILD STYLE is conceived on a flat dimension
(paper style). This style is of knife (stabbing) technique.

In
a Symbolic War and according to the understanding of slang in
gangsterism, a paper style will burn if faced with an outranking
construction in drafting technique.

Listed are these
remanipulations.

Due to a knowledge of reality-construction
(IKONOKLAST PANZERISM), the incomplete outline-construction in the
drafting technique, the construction of this next style is concluded
as an educational technique, (JEWELRYSM) or the DISCRETIONISM or
JURYISM.

The NYMPHISM is a practice that based on my studies
are the growing baby-tanks. NYMPHISM shows the only technique of WILD
STYLISMS with some discipline and goal. Other styles and/or GOTHIC
FUTURISM include Dimensional map techniques, BUBBLE-style techniques
that deal with elements of commercial calligraphy.

All-conceived
WILD STYLISMS in any plan of operations whether for military purposes
or not will advance in drawing-technique to a PANZERISM-style
technique on the letter’s structure, masterpieces and pieces in and
on any medium does not include scenery. Any masterpiece or piece that
has a crack in its outlined structure techniques according to
PANZERISM-technique has been fired upon and hit, evidence is cracks a
factual damage-symbol in anything that deals with art.

Graffiti-era
is from the beginning to the end of recorded history!

According
to slang and reality-condensed style structure piece equals gun not
the medium, masterpiece equals cannon and/or tank or the
Discretion-technique.

TAG militarily the unreadable are a
stabbing harpoon and pulsator technique which is like a satellite.
This technique can unravel, extend, discharge, surround, attack. TAG
is not a signature but a sign-overture. Due to the formula in
construction of motion in motion construction, path of launch and
extension of the connecting SIRPIEREULE.

GOTHIC FUTURISM
THE
ANTI-BODIES

BOMBERISM: is a style based on the cipher and is
not armed but can be. WILD STYLISMS are semi-based on
Bubble-Bomberism (EMOTIONAL) subconscious, knowledge of PANZERISM.
WILD STYLISMS are INCOMPLETE outline-constructions (according to a
military technique of reality-condensed construction). IKONOKLAST
PANZERISM R.O.K.: GOTHIC FUTURISM, based on knowledge of the square
is non-emotional and doesn’t assert one’s inner identity, shows
complete outline-structure in detail of detail of a tank-styled
letter and is an Ideamotor-movement.

Piece=Gun
Masterpiece=Cannon

Mapping techniques of GOTHIC FUTURISM
(evidence technique). The construction of a dimensional graph
consisting and existing in the state of the subconscious whereas
IKONOKLAST PANZERISM is one of the 13 unseen details. Other
instruments of symbolic war are: sectioners, which cut off quadrants
of dimension and cause magnetic interference and fusion of mattered
space to reverse it.

Section-sources in RAMMLL’s
design of ASSASSINS KNOWLEDGES OF THE REMANIPULATED SQUARE are made
of triangle grids and rotation-discs as a base for a base for a
projection-system based on RAMenergetics. In FUTURA’s
translation-map these SECTIONERS are known and constructed as a
formation of dots in front of or behind IKONOKLAST PANZERISM or
Bomberism leading attack. In another formation on military
cross-sectioning with SECTIONERS or Dimension-Sectioning, a
draft-technique that is drafted by firing two electron light beams in
different directions magnetically (using the diamond effect)
connecting at the end of a quadrant, therefore in the middle where a
dot in any colour usually bigger than the actual line is the
sectioner. From the available map-studies to show direction of
IKONOKLAST PANZERISM, FUTURA’s hand movement shows the stroke of
painting the design for IKONOKLAST PANZERISM. The structure before
(unseen) process of that stroke is a tank, at the end of the tank
FUTURA’s beginning stroke for the colour-wave combining with the
red shift of light and shows the actual stretching of the camouflage
on the tank far behind it reacting in a way as drawn speedlines so or
exhaust far out in second-dimension space.

CEREMBRIC NEUTRON
HARPOON (Thought Lance) holds complete thought-processes to
constructions and launches outline that can construct any shape
energy it wants to construct in any dimension of physical magnetics.
Several remanipulators such as dimensional doors, dimension cracks.
BOMBERISM: Construction flight base is on the cipher, which flies in
a spiral cipher. Included in the map and maps are conscious
design-stars (misplaced dimensions) the actual firing of
electromagnetic black-lights (implosion) and bio-magnetic pyramids.
Dimensional cracks: the travel of them will lead to other dimensions.

THIS IS TO DISPROVE THE OLD MOTHER’S TALE THAT WORDS WILL
OR CAN NEVER HURT YOU! IKONOKLAST PANZERISM introduced by so-called
graffiti for the remanipulation by and from energy through the body
for the repercussions and rediscussions of society’s misleading
reductional break-down. Knowledge be reborn by the understanding of
word-formations that there is no dictionary ever compelled for the
evolution of the outline of the AB. And C through Z, and other
universal structures.

Since these symbols and all symbols are
drawn, infinity’s separation from all symbols must be shown through
drawing. The only proof of such a separation of the infinity would be
the understanding by the majority of the planetary peers. There is no
other way. These pages are on the evolution of the very outline of
the universal letter-structure. Until this is read and understood the
very essence of the formations existing slanguages science and
universal letter symbol outlined structure could and will never be
understood, placed or used in an ism.

QUANTUM
MECHANICS



To
decode these mechanics, replace the last period of each passage with
one of these terms:
Is, of, or with. Then, make the first
letter of the next letter passage a small letter and read through…
.etc.

BREAK-DOWN OF STRUCTURE OF ALL LETTER-FORMATIONS IN
ENGLISH ALPHABET

A
Capitol energy houser constructor (finance) formation high bar
strategy middle lane missile launcher uppercase falls once. Second
case, second case second lane missile launcher falls twice, third
lane vortex complete, all lanes hold complete. Full knowledge
complete

(Pyramid) formation final beginning knowledge of the O (cipher and
square).

B
First lane readmission, third lane readmission, second lane curved
connected to first and third lanes fourth lane representing IBILE:
undividing E concentric 3, knowledge of the B (formation ground
separation).
Third lane starting first fold from the bottom be
the formation R, first stage capitol position. Third lane capitol
long lane missile launcher second lane equalizer for the first lane.
C-Z ALL STRUCTURES SIRPIEREULE FORMATED

C Structure knowledge
incomplete O, 60 (point-point+) missing from cipher=C, representing
third letter. Since O is broken, C cancels out itself because its
outline does, not go around and come around. In this formation XC
equals finance.
(ALL knowledge through contradiction from
contradiction spelling of CONTxRA-DICT= ION, inhabits knowledge that
this is truly knowledge of
.

DCipher
reversed. IBILE. D proceding and/or with knowledge of I showing
evolution’s dianetical course (Van Allen Belt) from energy to
concrete construction to energy reformation and all points exits
grounded from 0 to 360 (instruments), (light), (matter), the letters
are reputed to and in the left of the cerebrum, sound from 0 to 180
degrees. Electromagnetic knowledge is in the future but in the
present is fantasy of the future electromagnetic knowledge
surrounding form of I with no electromagnetic interference. I form=
Disease Culture. Electromagnetic interference formed by reaction of
reaction through or to reaction, reaction caused by IBILE symbol
(1).
Conclusion symbol reborn
Male
and Female structure

E Energie’s Evolution spelling of
EVOxLU=TION and evolutions show composed of knowledge of the 
reformation from and to Sigma, (Summation Operator) considering
contradiction the use of all contradiction according to these pages.
Therefore knowledge be reborn. Fantasy, reality, mental physical
contradiction, being conversation and the matter of contradicted
fact. Knowledge of the

lines between three points also is conscious. (E 3
=
)

F Formation militairy only to all word-formations in and of A
or its position. First lane emerges from second lane upper case,
second lane extends to first rebeing P. (Low Lane) first lane second
lane to third position equals L through extension bars in WILD
STYLISM or PANZERISM explanation.

G (Cancellation C+(-)=G

being first letter G.
(-)= 60°GOQC G=0
Q=C+(-)=G
O,
Q, C = G
in this order of the knowledge techniques formation
mathematically processed subconscious structure assassination.
Development of slanguage consequences form progression of planetary
governments true understanding and consequences of present
.
Techniques, theories, facts, and their consequences, what is the
outcome*. Three equals man and reverse energy equals use of man,
consequences. Consequences equal governments before understanding
purpose and/or symbols and governments structure of slanguage.
Consequences present infinity sign. (Since it is a high official
symbol, the highest math symbol must be assassinated and abolished in
its dimension).

H WISxDO=M showing (latter lower hydrogen
upper helium) position, a middle bar (carbon) 8 rungs through 360 =
either beginning or end, the GRILLER of both and future, being
present knowledge of the letter’s compacts to the

.

PANZERISM QUANTUMMECHANICS.

I IBILE undividing
present form showing contradiction between society and knowledge
itself being 1, structure knowledge constituting laws of sculpture
structure reformidibles and laws of disease-culture (horizontal bar
lower level) (upper level) constitutes laws of electromagnetic energy
(knowledge), and abstract concept, vertical bars equal in concepts
(fusion) between and concerning forward idea movement construction
(LINE) and opposite line (abstract) anti-mattered concepts.
Illuminations and Panzerism conclude this.

J IBILE undividing
conjunction full stride half stuttle lower case curvature non-elite.
I=J formation (nonjustice=J) regardless to the outcome of any
dictionary teaching, regardless to any of any prophetic, herelithic
teaching in the English slanguage. Lower case mechanics to the
mechanics of 1.

K IBILE futurism access is upper case
gangsterism access is advancible up the scale of futurism showing
knowledge entry of electromagnetic entry from foci to the end of
slanguage symbol advancement.

L Knowledge of the concrete line
at the 45° AxLI=NE angle manipulates process between eight
45 angles and two bases. Four can be upper case four lower on the
reverse side four can be upper case four can be lower case and
opposite. 90 is the concentration point.

M Mathematics can be
produced chemically of and with latitude longitude positions of
electromagnetic structures enabling thought concentration in
phonetics in its formation. QUANTUMMECHANICS.

N NxE=0 is
concentration formation always beginning any formation thought
process of the symbols, name, formation, and character of its own
evolved square knowledge to have (NECESxSIT= IES) within the outlined
structure formation equation.

O Cipher 360 is curved in
clockwise procedure futuristic or counterclockwise destructive
motion. The development of knowledge can never build in an upwards
structure without point or points, to use a point is to build other
than a cipher. A cipher’s outline starts at O and is drawn to 360
the end using triangle and square. All knowledge clockwise and
counterclockwise according to the present

must go around and come around or in one point in its quadrants be
destructive. 2 points=1 degree. Using a triangle = 360 = 720 points =
.

P
Reversed C cipher giving longer percentage of knowledge of the
gangster spectrum of knowledge of the vertical shown by the vertical
formation by itself.

Q In counterclockwise motion or clockwise
cipher broken, crossbar showing angle of escape from party inside
cipher. Arrow symbol placed shows structure symbol of being escaping
cipher vertical line being space travel at present vertical is in
direction arc 75°. In this position is man’s and woman’s
structure symbol

(Quest).

R (C cipher reversed) IBILE bar separate at the
(science) base gangsterism knowledge connected to reversed C cipher
not at foci in future ahead of time structure at the end of the
second quadrant to the cipher’s structure. Intersection of
science-structure (medicine) diagonally intercepted for and with
strategic positioning and/or procedure. B equals split formation 13,
R first read-mission lane and third read-mission lane disengaged from
fourth lane equals structure of the K.

S Style Stroke (PHYxS=
ICS) knowledge of the square to be placed upon all word-formations.
Physical break-down strategy of the universal letters outlined
structures. Based on these and this structure.

T Horizontal
raised to capitol or finance position showing societies’
viewpoints. (PSY x CH = lC) equaling before and
after prophesies, dreammares of day and night to and of the extremes
are (horizontal) telekineses, telepathic. Time shown by the vertical
bar.

U Universal symbol to I, N, E, showing futurism and an
access to re-enter at will to electromagnetic energies past and
present. Since they will be based on this symbol conscious knowledge
in education process and electromagnetic energy is covered knowledge
projected in the future into the future.

V As you know comes
to a point, its trajectory is pointing down also showing the strategy
and positioning C cipher. Presentday government and its direction in
our present infinium, I believe, historians in the future will see
why this symbol is shown as a downfall symbol based on present day
infinity sign.

W First lane showing considered knowledge and
contraction second lane build concentration conversation for
mathematics. Third lane electromagnetic structure. Fourth lane
contradiction in conversation toward futurism, first foundation word
all formations.

X In the dictionary this symbol’s definition
means Christ. It’s structure shows four escape or enter paths of
electromagnetic energy, in the middle is a combined knowledge of all
four paths. No Infinity-Sign should have such a symbol, it shows
fusion the main remanipulator of war. Directly those knowledges that
survived its fusion will end up back at the beginning of past, but
they will go through fusion a second time before doing so. (According
to letter mathematics IKONOKLAST PANZER R.O.K. and laws of art, using
hyperbolliad and/or folium on the infinity symbol or Van Allen Belt,
trajectory is found for assassination technique on spectrum. X with –
= technique on foci or planet. This is Ikonoklast’s trajectory for
firing horizontally, vertically on infinity in its turning
sequence.

Y This symbol is firing its purpose through
mathematics to the formation I and will break that (S) (O) (E) line
between fantasy and reality and shadow dimension. Notice the
direction is downward.

Z Is a time-symbol based on energy
directed through symbolics, without friction to disease-culture
structures, an idea construction extension of 7#. A society’s
present-day government education after gatherment evolution on the
top the Roman letter is read left to right in the motion of this
symbol. From letter controlled by government showing government
losing control letter structure regaining control continuing in the
right direction, outcome, this is shown by putting a line through the
middle of the
.
That is the ground line separating society and gangsterism to and
from this consciously-labeled Roman lettertype.

with vertical bar is time triggered to intercept any overstructure
overstructuring its structure.

NAMES DO NOT CONSTITUTE ACTION,
THIS IS THE EXPLANATION CONCERNING THE DIFFERENCE BETWEEN NAMES, AND
MILITARY FUNCTION FORMATIONS IN THE USE AND USAGES OF SUBCONSCIOUS
DIMENSIONAL REGISTERS.

*NUMBER’S* In this mathematical
formation (NU+MBxE=R)
° structure definition for numbers is in
this formation W, M, 1, Q, A, L, E, R, T, S, N. This formation is a
connection of symbolic code of Roman letters to the other symbols.
Arabic numbers introduced by India which can be armed because of
their structure that represents letters, not names. There are five
Russian letters that can be armed. They are d, zh, p, i, sh. There
are three basic codes in Art (AxR=T) and Idea (IxD=E+A) for the
formation of sound*: ABSTRACTS, STRUCTURES, MILITARY FUNCTIONS.

Some
pictograms can be armed to contradict their sight and phonetic
value.

All humans are spectators to Art in the second
dimension. We are only recording recepticles for energy’s knowledge
for the build procedure.

Alphabet = Alpha + Beta without the
(A) who did that? Who titled us off as the human ‘race’, who put
us in a race and for what purpose are we racing?

Names: the
ground level, the seperations in a relationship to nature a housing
structure of disease-culture (human beings). The function of a name
and the word itself is correct in its formation on a conscious
build-up procedure to cover a territory, to conceal militarily from
territories the self-identities on ideas whether it be
electromagnetic knowledge, houses, reworkable sculpture structures,
land or universes. Therefore militarily sould formations and this
pamphlet. 5 letters in Greek can be armed, these formations are the
THETA, SIGMA, UPSILON, PHI, PSI. Any register that can’t be armed
belongs to diseased culture structure and is not a universal
structure symbol. No government owns land in this mathematical
formation (N x AM x E) =.

according
to these pages of symbolic structure breakdown. In short, (N)NEO
meaning. (A) pyramid, energy constructor house in its structure
formation. (M) is coded for mathematics structurally after a
biochemical structure to allow the structure to build upon itself if
the biochemical structure is at, a part of or can conceive genetic
construction to form the evolution of symbolic knowledge to
remanipulate this structure and its evolution. (E) is coded for the
evolution of structure of biochemical movement into idea. In
evolution’s case all function formations must apply to the name –
the name must apply to the idea – the idea must apply to the word
formation – the word formation must apply to the sound formation. If
not the strategy formation must be changed.

Z with horizontal
lines (2 IBILES) shows intersections and interceptions of energy
through symbols.

1.
=
Infinity or Van Allen Belt or Mobius Strip. Equation for
implosion/explosion. Foci becomes void abstract to idea and
equation.
2. X = Christian symbol.
3.=
Origin, Planet, Foci.
4.=
C cipher belt.
5.=
Reversed C cipher belt.

download link (odt file) — ionic treatise gothic futurism – the ramm-ell-zee.odt 

download link (html file) — ionic treatise gothic futurism – the ramm-ell-zee.html

ulteriori informazioni sull’argomento:

Gothic Futurism (sito ufficiale di The Ramm-Σll-ZΣΣ) — http://www.gothicfuturism.com/

LetteralMente

Grafie ad alto volume

opere di Federico Tomoz Bandini 

con il patrocinio del Comune di Ravenna

Assessorato alle Politiche Giovanili 

dal 5 al 20 settembre sala espositiva di Palazzo Rasponi in via D’Azeglio 2, Ravenna 

orario mattutino: da lunedì a venerdì 8.30 – 13.00  

orario pomeridiano: martedì, giovedì, sabato e domenica 14.00 – 18.00 

inaugurazione sabato 12 settembre ore 17.00

rinfresco e dj set

Associazione Romagna in Fiore — http://www.romagnainfiore.org/ 

fonte: http://www.youtube.com/user/boordL  

Davide "Eron" Salvadei was born in Rimini, Italy in 1973 to french mother and italian father.
He attended the Art Institute in Urbino and Riccone.
In 1988 he began to practice street writing and spray painting.
Elected best italian street artist in 1994.
His artistic research is currently focused on portraits and landscapes realized with spray cans on
canvas,
mixing child drawing, realism, expressionism and writing withing the
same art work, obtaining an unusual aesthetic impact. The subjects oh
his works often express thoughts on social themes and on the act of
drawing as an innate instinct of the human being to comunicate.

Davide "Eron" Salvadei è nato a Rimini, nel 1973 da madre francese e padre italiano.
Ha studiato allIstituto dArte di Urbino poi a quello di Riccione.
Nel 1988 inizia a praticare lo street-writing e la spray painting.
Viene eletto miglior street artist italiano nel 1994 da AL magazine.
La
sua ricerca attuale si basa sulla creazione di ritratti e paesaggi,
dipinti a spray su tela, miscelando disegno infantile, realismo,
espressionismo e scrittura all’interno della stessa opera, ottenendo un
impatto estetico insolito.
I soggetti delle sue opere esprimono
spesso riflessioni su temi sociali e sul disegnare come istinto innato
dell’essere umano per comunicare.

Eron "artwork in progress" videos: http://www.youtube.com/user/boordL

ded 2: Eron e BoordL crew, Space One, Tomoz e Romagna’n’fiore crew, Wave e Edua (WC crew), Gruff, Deda, Tay, Looperatoritaliani, Da Ninjaz, Bue, Lune, Jado, Rais, Stylo Swan, Fone, Olè crew, ADR crew, RBC crew, DXA crew (USA), Agent, Headz, PST crew, PL crew, soundz333 crew…

THX 1138 graffiti collection (2000-2009) – click on the images to zoom – clicca sulle immagini per ingrandire:

 

WC 2004 collection —  http://www.autistici.org/2000-maniax/foto%202008/wc%202004%20collection.rar 

WC 2005 collection — http://www.autistici.org/2000-maniax/foto%202008/wc%202005%20collection.rar 

—— 

THX 1138 outlines (1993-2005) – click on the images to zoom – clicca sulle immagini per ingrandire:

ded 2 WCC masters: Wave – Edua

fonte: http://thajoker302.noblogs.org/post/2009/07/27/writers-arrestati-e-media-di-regime

un ringraziamento speciale a Tha Joker per aver postato l’articolo seguente nel suo blog http://thajoker302.noblogs.org/

—— 

Writers arrestati e media di regime

La
sera del 25 Luglio, a Milano, sono stati arrestati dai -scusate il
termine- Carabinieri 4 writers spagnoli, sorpresi mentre stavano
personalizzando i vagoni della metro della città meneghina.

Da subito, ed attuando in pieno le disposizioni del nuovo regime
fascista in tema di comunicazioni, i quattro sono stati trattati come i
peggiori delinquenti, ed in particolare il tg2, uno dei telegiornali
più reazionari in assoluto, ha messo in relazione l’attività degli
"imbrattatori" (probabilmente avrebbero chiamato così anche Keith
Haring se sorpreso a "deturpare" i muri della metro di NY) con
l’aggressione nei confronti di un metronotte avvenuta qualche tempo
prima, e affiancando l’operato di questi artisti (si cari
pennivendoli, artisti…) con il degrado e la mancanza di sicurezza
(temi ricorrenti in ogni dispaccio ufficiale della dittatura), come se
quattro persone armate di spray e caps fossero i nemici pubblici numero
1.

Il servizio del tg2 terminava, con un tono ai limiti del rabbioso,
pensando a quei poveri passeggeri che non avrebbero più potuto guardare
fuori dai finestrini.

Dunque un tg, che dovrebbe trasmettere informazioni utilizzando un
punto di vista neutro, di mera testimonianza, trasmette un servizio che
è già una sentenza (imbrattatori, delinquenti…), giunta ancor prima
di quella che verrà pronunciata dal giudice…strano che questa
operazione non sia stata fatta per gli aguzzini in divisa che hanno
torturato alla Diaz, che hanno ucciso Federico Aldrovandi ("un drogato"
dissero i tg, come se questo, ammesso fosse vero, giustificasse la
brutalità dei maiali in divisa che spezzano la vita di un diciottenne),
che hanno sparato a Sandri, che hanno ucciso Sole e Baleno in carcere,
che hanno ammazzato, sempre dietro le sbarre, Aldo Bianzino e Marcello
Lonzi, che hanno…quanti altri esempi si potrebbero fare?

Non sbagliamoci, non mi sto stupendo del comportamento dei tg e di chi
li scrive, so benissimo che l’informazione è lo strumento principe per
– usando un termine di Noam Chomsky – "fabbricare consenso", ma giova
sempre ricordarlo…

Il potere ha bisogno, per mantenere autorità, di creare nemici,
pericoli e susseguente richiesta di sicurezza; quindi c’è bisogno, e
qui entrano in gioco i media, di chi crei la percezione del pericolo,
anche al di là della sua reale entità… e quindi giù con gli Anarchici
bombaroli, il terrorismo interno ed esterno, i migranti, la
criminalizzazione di ogni comportamento che non sia allineato con i
paradigmi di chi governa (attraverso politica ed economia)… ora anche
con i Writers (che in realtà dai tempi del Juice di Ancona del 1996
vengono ciclicamente tirati in ballo).

La "normalizzazione" o meglio, banalizzazione, della società passa però
anche attraverso l’assorbimento da parte del potere di tutte le forme
individuali di espressione, trasformandole in manifestazioni
superficiali e rituali finalizzate all’accrescimento della propria
autorità.

Milano è un esempio perfetto: è la città che più sta facendo nella
"lotta" contro i writers, e anche la città in cui vengono organizzate
tantissime mostre di  "artisti di strada", patrocinate dal comune e
osannate da critica e giornali… ma prive di ogni portato artistico e
"rivoluzionario", prive di ogni vitalità… Un adesivo o un pezzo in
città portano con se un senso di rottura culturale con la routine della
metropoli, sempre più votata ai ritmi velocizzati dell’economia liquida
(tanto per citare Bauman) e del grigiore standardizzato… e anche per
questo sono da combattere… mentre lo stesso adesivo – staccato con foga
dai vigili urbani – o lo stesso pezzo, cancellato dagli imbianchini del
comune, acquistano credibilità se esposti in un qualsiasi museo, dove
sono visibili da tutti, "apprezzabili in tutta la loro originalità"
etc… ovvero sostanzialmente inutili.

Ci vogliono animaletti docili ed impauriti, rinchiusi 20 ore in
fabbriche o angusti uffici con contratti ridicoli al limite della
schiavitù… Che vogliamo fare? Io stasera prendo la sacca dei
colori… Solidarietà complice ai writers arrestati!

clicca per ingrandire – tutte le foto: THX (2009) no fucking copyright 

Sabato 4 luglio 2009: dalle 16.00 Graffiti – Writing – dj set
hip hop con Milelemmi e DJ Sec. A seguire apericena e dalle 21.30 concerto
con Don Diegoh + Herper Rigantani + Ekh-ro + Altibassi + DJ Rod + Lapo Raggiro

Al Totem Garden del CSA Nextemerson, via di Bellagio 15 Firenze, zona Castello. 

CSA Nextemerson online — http://www.csaexemerson.it/ 

foto di F. Fiorentini – clicca per ingrandire

Chronicler of the Furtive Arts

 

THE young man
had been painting all night, in the dark, wedged between two subway
trains at the New Lots Avenue railyard in Brooklyn. One hand held an
aerosol can; the other was braced against a metal door.

First
came the outline of the nickname his mother had given him, “D-O-N-D-I,”
and then the shadings and shadow lettering that gave his “piece” its
three-dimensional look. Taxicab yellow, delta blue, orange, pink — the
air was toxic with Krylon. It was sunrise when the painter — and Martha Cooper, the photographer recording his pulsing, illicit art — finished work.

In
the 1970s, Donald White, or “Dondi,” a graffiti writer from East New
York, helped spawn an urban art movement that flourished across five
continents. Ms. Cooper, working for The New York Post, was on its front
lines, documenting the artists who labored in the city’s shadows.

The 1984 book “Subway Art,” Ms. Cooper’s collaboration with Henry Chalfant,
a photographer and filmmaker, captured graffiti’s golden and assaultive
years. It sold half a million copies, becoming the movement’s bible —
and epitaph. But the best of the trains live on, in an updated,
large-format 25th-anniversary edition, to be published next month by
Chronicle Books.

Kodakgirl, as Ms.
Cooper is known to the city’s B-boys and B-girls, has left her own
indelible mark on New York as an obsessive observer of vernacular art
and architecture. She has been taking photographs since age 5, when her
father, the owner of a Baltimore camera shop, gave her a Brownie
camera. She is currently director of photography at City Lore, a center
for urban culture.

She has also
contributed to more than a dozen books, capturing the indomitable
spirit of city youth. Her most recent book, “Going Postal,” published
in December, follows street artists into their new public terrain:
freely accessible postal express stickers, used as a backdrop for their
painting and “delivered” on newspaper boxes and parking meters. She
calls them “a gift to the city.”

An
Upper West Side resident since 1975, Ms. Cooper, 66, lives with her cat
and the clutter of collections: milagros, postal stickers, thousands of
early snapshots of women with cameras and limited-edition Adidas
“Superstar Expression” sneakers commemorating Lee Quiñones, an
influential artist of the subway graffiti movement. They are a gift
from the artist, dedicated “to that special K-girl.” BARBARA GRAUSTARK

•

There was a poem on one of my favorite subway trains. Lee Quiñones painted it.

There was once a time

When the Lexington was a beautiful line

When children of the ghetto expressed with art, not with crime.

But then as evolution passed,

The Transit’s buffing did its blast.

Now the trains look like rusted trash.

Now we wonder if graffiti will ever last.

Well, it did not last
on the city’s trains, except in photographs. And that is one reason I
photograph what I do. I’m not about “art,” or perfect lighting. I’m
more like, “Let’s preserve this.”

My father had a camera store,
and his idea was to go out and look for a picture. He would take me on
what he called camera runs with the Baltimore camera club. You walk
down the street and you see something and you’re excited by it. And you
take a picture.

In Haiti, I had seen kids making toy cars out of
tin cans. And I thought, wow! They made the string from the stems of
plants, the tires, everything. So I began looking for creative forms of
play here.

I really wasn’t looking at graffiti. I collected the planes and a go-kart made from police barricades and had an exhibit at the Museum of the City of New York.

While
doing that project, this boy showed me his book with designs for his
name — He3 — to put on a wall. And he said, Why don’t you take pictures
of graffiti?

I didn’t get it. It was mysterious and illegible
to me. So that was the “Aha” moment — when I recognized that He3 was
really a graphic designer, designing his personal logo. There had been
writing on public walls in Philadelphia in the ’60s, but these kids
were pushing style to such great lengths. It was all about the way the
letters hook up and overlap.

I still can’t read graffiti, though.

Edwin
Serrano, who was He3 — unfortunately, he’s been in and out of prison
for 16 years — said, I can introduce you to a king. The king was Dondi,
who became my mentor.

So we go in my car to East New York, a
wasteland, and knocked on Dondi’s door. He said, “You’re Martha
Cooper?” He had a New York Post picture I had taken of a little girl on
a swing. And behind the swing, in the background, was one of what he
called his throw-ups — his graffiti.

I spent time in his room
while the guys designed their pieces. Nothing was accidental, because
the trains were parked so close together, you couldn’t stand back and
see what it looked like. They had to memorize the colors. Then they
would photograph their own trains.

As soon as I showed them I could bring them back better pictures,
we would get calls, “Yo, Martha, we did a train on this line.” And the
next morning, Henry Chalfant and I would run and try to catch it,
because they didn’t last long.

They knew every color, what was “wak” — out of whack, not right —
and what was a burner — a winner. They had a whole system of
aesthetics. I came to realize what it took to get the right colors, to
plan the piece, to steal the paint, to get into the yard. For anybody
who thinks it’s only vandalism, it’s so way more than that.

Nobody wanted to touch this
vandalism stuff. Remember what the insides of the trains were like?
Unbelievable, 1977, the Bronx was burning down. No one really wanted to
write that graffiti was an interesting thing. Once it moved into the
galleries, it lost something for me. The artists deserve to make money,
but I don’t want to shoot something that’s done with permission. It’s
an outlaw art. That’s what makes it thrilling.

I’m a bit jaded
now about the big walls. I’m not crazy about having street art in my
face. I like to discover things. So when you find a little postal
sticker on a mailbox, it’s just more exciting for me. “Going Postal” is
about modern logos on postal stickers, a sign of how graffiti has
progressed and endured.

I left Baltimore at 16 for college, the Peace Corps,
a job at Yale in the anthropology museum — I never came back. But in
2006 I bought a row house there, in the neighborhood of “The Wire,” a
tough neighborhood a few blocks from where my great-grandparents
settled from Eastern Europe. It’s nice to have that connection again.
For a new project, I’m trying to capture a sense of community there,
how people have survived poverty. I just walk, I take pictures, I go
back and knock on people’s doors and give them the pictures.

There
are three crab houses, and on a warm day in March, a family had set up
a table and were having a feast on the streets. People have backyards,
but the sidewalks are rich with community activities, rich with photo
opportunities. I’m going back to give them these pictures, say, Hi,
remember me? And they’ll be very happy.

---

Subway Art interview video: 

graffiti di THX al CSA Next merson di Firenze realizzato in occasione del concerto di D.O.A. (Canada) 30th Anniversary Tour

clicca sule anteprime per vedere le immagini in dimensioni reali