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Archive for the ‘hip hop kulture’ Category

Get Electrified Fest 23/24 aprile 2010

April 18th, 2010 Comments off

GET ELECTRIFIED FEST

A STEP INTO NEXT ELECTRONIC CULTURE 

23 – 24 aprile csa Next Emerson via di Bellagio 15 Firenze 

 

venerdì 23 aprile

dalle 14 alle 16

workshop 8bit – nanoloop – lsdj (Pablito el Drito / Kenobit)

dalle 16 alle 20 

ableton live workshop (Emanuele Bellia)

dalle 20 alle 24

aperitivo e electronic jam session 

 

sabato 24 aprile

dalle 14 alle 16

workshop 8bit – nanoloop – lsdj (Pablito el Drito / Kenobit)

dalle 16 alle 20 

ableton live workshop (Emanuele Bellia)

++ open grraffiti jam: 6 spray 10€ !!!

ore 22

hip hop showcase: Sardust – Tullo – SashimiBreakfast – Lapo Raggiro – La Primiera

dalle 24 alle 5

stage1 >> electrotechno (Get Electrified + Fresh Pump Records & Power Francers)

stage2 >> fideget break (Get Electrified, Chrono, Dyami, Slesh, Bass Driver,C Stylez)

stage3 >> dubstep (Numa Crew showcase)

stage4 >> 8bit (Pablito el Drito, Kenobit, Micromilano)

installazioni: Money.less – VJ set: Get Electrified + Svisionote

 

ingresso 3 euri

autobus: 2 – 28  

Malcolm McLaren r.i.p.

April 9th, 2010 Comments off

Malcolm McLaren
(Londra, 22
gennaio 1946
– New
York, 8 aprile 2010)

É scomparso ieri a New York mr. Malcolm MacLaren, un genio della musica, del marketing e della moda.
Noto per essere stato il manager di bands leggendarie quali New York Dolls e Sex Pistols, creatore del punk inglese, agitatore e truffatore, è stato anche uno dei pionieri dell’hiphop old skool insieme al World Famous Supreme Team con l’lp "Duck Rock" e i singoli "Hobo scratch", "Buffalo gals", "Would you like more scratching?" e "D’ya like scratchin’?" considerati tutt’oggi vere e proprie pietre miliari dello scratch.

Ciao Malcolm

http://www.autistici.org/2000-maniax/images/lp%20covers/hobo-scratch-f.gif

http://www.autistici.org/2000-maniax/images/lp%20covers/hobo-scratch-r.gif

http://www.autistici.org/2000-maniax/images/lp%20covers/dya-like-more-scratchin-f.gif

http://www.autistici.org/2000-maniax/images/lp%20covers/dya-like-more-scratchin-r.gif 

http://www.autistici.org/2000-maniax/images/lp%20covers/duck-rock-f.gif

http://www.autistici.org/2000-maniax/images/lp%20covers/duck-rock-r.gif

http://www.autistici.org/2000-maniax/images/lp%20covers/duck-rock-inner-0.gif

http://www.autistici.org/2000-maniax/images/lp%20covers/duck-rock-inner-1.gif

http://www.autistici.org/2000-maniax/images/lp%20covers/duck-rock-inner-2.gif

art: Keith Haring

RIP

http://en.wikipedia.org/wiki/Malcolm_McLaren

http://www.youtube.com/watch?v=Q1qydwnT_fc

storia dell’MPC – video

April 8th, 2010 Comments off

breve storia dell’ Akai MPC (clicca sul link per entrare nella pagina del video)

fonte: http://createdigitalmusic.com/2008/08/14/a-brief-history-of-the-mpc-in-video-by-current-tv/

A Brief History of the MPC in Video, by Peter Kirn

Sometimes in technology, the design of a product can have an impact
beyond just the tool itself, and that’s easily the case with the Akai
MPC. Even if you aren’t part of the device’s cult-like following, you’ve
likely worked with software influenced by its approach to musical
interaction. While we await the coming of creator Roger Linn’s new
collaboration with Dave Smith, the LinnDrum II, it’s great to look back
at the MPC itself, and the artists who stretched it to its musical
limits, from hip-hop to classical. Current TV has a short documentary
they’ve just sent us.

Current’s Parisa Vahdatinia describes it thusly:

I’d like to share with you a short piece we recently
produced here at Current TV all about the MPC–a brief history, how it
was created by Roger Linn, and how it’s effected contemporary music,
followed with some interviews with Damu The Fudgemunk, P-Fritz,
K-Murdock who share their sentiments on how the MPC has shaped their
music.

I’m just going to have to imagine how great this piece is as
I’m stuck on a train with only phone-as-modem access, so you get to
sort of scoop me. As I wait, there are some great comments up there
already, haiku-like:

“I mistook them for drum machines….”

“mpc is the hip hop guitar!”

Couldn’t have said it better myself. But it raises the question,
given the endless variety of even pre-digital musical instruments,
what’s next? That’s a question I know Roger cares about, which is why he
helped us judge a design challenge last spring. I’m personally excited
by the idea that some designs are already here, and more are likely to
come out of someone’s studio, without the major product maker label on
it.

Okay, now I’ve seen it. Good to be back off
the train and able to download videos. It does come off strangely as an
ad for Akai, but there’s another way to look at it — as an executive
summary of how MPC users describe their axe. Talk to any MPC user, and
you get a case study in why the design of integrated hardware matters to
people. I believe those principles are absolutely applicable to the
design of software, as well. And the immediacy of the monome is entirely
related, as a computer-based instrument, to the MPC as a hardware
instrument. It’s easy to get hung up on the philosophy of instruments,
but what really matters to people is (surprise) sound and how they
manipulate it.

Gum Studio jam

April 2nd, 2010 Comments off

THX, Dado e Millelemmi live jam in the hole photos. Gum Studio, Carrara

photos: R. Poiago — http://www.postcardsfrombeirut.org/

http://www.postcardsfrombeirut.org/GUM.zip   (126 mega)  —  click here to download the photo archive

Many thanks to Robert Pettena for the hole and to Helena, Namsal and Matteo Chini for the invitation.

Gum Studio – http://www.gumstudio.org/

N.A.S.A. “Money” video

March 27th, 2010 Comments off

N.A.S.A. "Money" (feat. David Byrne, Chuck D, Ras Congo, Seu Jorge, & Z-Trip)

VIDEOMIND al Viper theatre stasera 26.3.2010

March 26th, 2010 Comments off

VIDEOMIND

VIDEOMIND.jpg

 

Per la prima volta a Firenze potremo assistere al progetto Videomind, nato dalle menti di Paura, Clementino e Tayone.

opening: Dj Craim (pluripremiato campione italiano ITF); Nanne (Tullo Soldja); Ninja (La
Primiera); Dj Shinjin; Mirko Miro

Ingresso:€ 8

apertura ore 22.00

http://www.myspace.com/videomind

A saturday night in San Francisco

February 27th, 2010 Comments off

Stasera al Yoshi’s Jazz Club a San Francisco…

fonte: http://www.yoshis.com/sanfrancisco/jazzclub/artist/show/1191

Dan The Automator presents: AUDIO ALCHEMY featuring DJ Qbert, DJ
Shortkut, The Jazz Mafia All-Stars and MARS-1

February 27, 2010

Audio Alchemy is a new bi-monthly series featuring vanguard DJs in
the mix and performing with live musicians. It will boldly explore the
role of the DJ in the creation of music today.

10:30pm $20

Yoshi’s San Francisco is pleased to announce a new late night series, Audio Alchemy with acclaimed producer Dan The Automator. The bi-monthly
series will take place in the Yoshi’s San Francisco restaurant, lounge
and jazz club.  Dan will be curating the series, showcasing some of the
world’s top DJs. Audio Alchemy will feature vanguard DJs not only
spinning but also in a live collaborative setting with local favorites,
the Jazz Mafia All-Stars.  As Dan states; Audio
Alchemy will boldly explore the role of the DJ in the creation of
modern music today.

Kicking off the series on Saturday, February 27 is DJ Qbert.
The San Francisco based Qbert is considered the “Hendrix” of scratch
DJs. His pioneering dj collective, the Invisibl Skratch Piklz, set the
turntablism bar to new heights.  This marks Qbert’s first San Francisco
gig since 2008. Joining DJ Qbert is Audio Alchemy’s resident dj (and
fellow Skratch Pikl), DJ Shortkut.  The house band for
this evening will be San Francisco’s genre-busting Jazz Mafia
All-Stars.  Additionally, the artist, MARS-1 will be
exhibiting his work through out the club.

About Dan The Automator
Producer Dan The Automator is known internationally as one of the most
groundbreaking and inventive creators of hip-hop music. He first
achieved critical and commercial success in 1996 with the esoteric Dr.
Octagon album, and followed suit with a slew of landmark recordings and
remixes that established him as not only a producer to be reckoned with,
but as a remixer and songwriter as well. His collaborations with
hip-hop legends Prince Paul (Handsome Boy Modeling School) and Del tha
Funkee Homosapien (Deltron 3030) resulted in success on a larger scale,
and he went platinum as the producer of the debut Gorillaz album in
2001. Another Handsome Boy Modeling School record followed in 2005. Dan
co-wrote and produced “Get Your Way”, a hit single for British singer
Jamie Cullum. His new project, NBA2k7, features Mos Def, E-40, Fabulous,
Ghost Face, A Tribe Called Quest, Rhymefest, Lupe Fiasco, and many
others. The soundtrack will be released on September 19th, 2006.

Dan “The Automator” Nakamura was born and raised in San Francisco. A
chance meeting with Kool Keith in San Francisco resulted in Keith hiring
Dan for some work on his own record. Keith then suggested Dan assume
production duties for his Dr. Octagon alter-ego, and Dan started to put
tracks together for the record that would ultimately aquaint him with a
much larger audience.

A fusion of hip-hop beats and bizarre atmospherics, Dr. Octagon was
released on the Bulk Recordings label in 1996. Propelled by Kool Keiths’
rhymes and mind-bending meter, the record owed its’ success in equal
measure to Dan’s inventive production. Dan’s studio, the Glue Factory,
also served as the workshop for recordings by Mo’Wax’s DJ Shadow and for
various artists on the latter’s Solesides label.

As Dr. Octagon spread through the underground scene, DTA found himself
collaborating with directly or remixing for a wide variety of artists:
Primal Scream, the Eels, DJ Krush, Cibo Matto, Dust Brothers, Mike
Simpson, Cornershop, the Jon Spencer Blues Explosion, Stereolab, and
more. Dan then teamed up with hip hop guru Prince Paul for a project
called Handsome Boy Modeling School. An album titled So, How’s Your
Girl? was released by Tommy Boy Records and was an instant underground
success. 2000’s Deltron 3030 project followed, a collaboration with
rapper Del tha Funkee Homosapien and DJ Kid Koala.

In 2001, DTA reached his widest audience yet with the Gorillaz, an
eclectic collaboration with Blur’s Damon Albarn and artist Jamie
Hewlett. The self-titled debut was a hit on both sides of the Atlantic,
going platinum in the U.S. and spawning Dan’s first major hit single,
“Clint Eastwood”, featuring Del tha Funkee Homosapian.

In 2002 Lovage, a collaboration with former Faith No More singer Mike
Patton and smoky vocalist Jennifer Charles was released. A mixtape of
many of his favorite remixes called Wanna Buy A Monkey? followed,
featuring remixes of Black Rob, Air, Zero 7, Tortoise, the Doves, De La
Soul, Dilated Peoples, and more.

After reaching worldwide success with Gorillaz, demand for Dan as a
remixer and producer grew exponentially. A known genre-bender, he worked
on singles from acts ranging from Blink 182 to Sarah McLachlan, and
co-wrote songs with artists such as Mos Def, Beanie Man, Beck, Busta
Rhymes, and more. Additional collaborations with Alex Kapranos (Franz
Ferdinand), Pharrell, RZA, Mars Volta, Casual, Cat Power, and Linkin
Park were the beginnings of what would be the second Handsome Boy
Modeling School album, which was released on Atlantic Records in 2005,
and followed by a sold-out U.S. tour.

Hip-hop is a genre that has proved itself far more flexible and
groundbreaking than anyone might have predicted at its genesis: from its
massive worldwide popularity to its seemingly endless “next levels”, as
it were, hip-hop music continues to be full of surprises, thanks
largely in part to record producers like Dan The Automator. While paying
homage to his heroes and influences, Dan has crafted a career as unique
as his records, always walking the line between music that makes a
serious statement and music that delivers undeniable hooks and knows
when not to take itself too seriously.

un ringraziamento particolare a Caterina per la segnalazione:

beata te che ti vedi ‘sto  show!

:-*

BARRIFICIO PIEMONTESE – DJ GRUFF equipment testing

February 9th, 2010 2 comments

fonte: http://www.jahmekya.com//index.php

Per tutti gli appassionati di scratch e tutti i fans di Dj Gruff! Sabato 13 febbraio dalle ore 16, potrete testare voi stessi le "barre" prodotte dal BARRIFICIO PIEMONTESE. Dj Gruff darà una dimostrazione del loro utilizzo e chi vorrà potrà poi provarle di persona. Durante la giornata verrano fatte le riprese per un nuovo video clip "L’attitudine" estratto dall’album di Dj Gruff "Sandro OB".
Venite numerosi!
Sabato 13 febbraio presso
JAHMEKYA MUSIC shop,
via L. Porro Lambertenghi 20 – Milano – tel. 0269018180.

To all the turntublists and all the Dj Gruff fans! Saturday 13 February from 4 pm on you’ll can test the BARRIFICIO PIEMONTESE’s faders. Special guest Dj Gruff! During this event we’ll take some shots for the new Dj Gruff videoclip     


la "barra lignea" customizzata da Tomoz

L’opinione di Ice: chi cazzo se ne frega

February 8th, 2010 Comments off

fonte: "L’opinione di Ice: who gives a fuck? (chi cazzo se ne frega; n.d.r.)" di Ice-T

"Un sacco di ragazzi bianchi mi dicono <<Hey Ice io vorrei essere come voi. Ma sai com’è i neri non sono ricettivi>>. E io cerco di spiegargli : <<Ascoltami amico, per quattrocento anni siamo stati fottuti, dico bene? E ci vorrà tempo, forse centocinquant’anni per cambiare>>"

"Fin dall’inizio della mia carriera mi hanno accusato di sessismo, perchè sono sincero e dico apertamente com’è che gli uomini vedono le donne. Un sessista vede le donne semplicemente come pezzi di carne. Il fatto è che gli uomini guardano le sporgenze delle donne e le donne guardano le sporgenze degli uomini. Questo è sessismo?"

"É assai facile rendersi conto della tentazione e del fascino del delitto. Il delitto è come qualsiasi altro lavoro. I delinquenti più furbi si dedicano a forme più intelligenti di crimine. E quelli meno svegli restano inchiodati ai livelli più bassi, come il gioco delle tre tavolette e la rapina. Man mano che sprofondi nel crimine e vedi il tuo gruzzolo aumentare, ti rendi conto di dover fare fuori qualcuno. E qui sta il pericolo"

"Se ciascuno scopasse con ciascun altro, il mondo cambierebbe. se avessimo una ragazza monotipo nessuno avrebbe problemi. La gente deve cominciare a spingere lo sguardo oltre il colore, le regioni, i quartieri, e rendersi conto che siamo tutti di questa terra."

"Il 29 aprile 1992 è stato il giorno più felice della mia vita. Sono fiero del fatto che la gente abbia piantato un casino della malora"

"Il rap è semplicemente qualcosa che assorbi crescendo nel ghetto. Sapevo come scrivere poesie, perché facevo rime per le bande…"

"Il razzismo viene programmato nella gente. Non credo che sia innato. Se prendete 3 bambini, uno nero, uno bianco ed uno asiatico, li mettete tutti e tre in un girello e li lasciate lì soli, cresceranno imparando ad amarsi a vicenda come se fossero una famiglia, finché un adulto spaccacazzi non verrà a dirgli <<Non possono piacervi, la loro pelle è più chiara o più scura>>"

"Io ho occhi solo per il futuro. E per la speranza. Sicché chiunque mi stia dietro deve raggiungermi perché io vado avanti. Così se la polizia ce l’ha con me, pazienza!"

"La gente mette troppa enfasi sulla vita e non abbastanza sulla sofferenza. Se vuoi preoccuparti di qualcosa, preoccupati di quelli che soffrono. Quando vedo persone vinte nell’animo o poveri diavoli che vivono sulla strada, oppure sono tormentati dalla malattia o dalla droga, questo per me è dolore, è sofferenza. È questo che dobbiamo eliminare: realtà miserabili."

"The ghetto is set up like a concentration camp. The government has broken the system down to a series of financially segregated villages. South Central is not a black community, it’s a poor community. You live there ’cause you’re broke, not because you’re black."

"I can’t speak for women, but I know what men are about. I know about muthafuckin’ men. They want to fuck. Men are dogs. They would like to sniff it and fuck it, now if not sooner."

DJ Seb console

January 31st, 2010 Comments off

Ho ricevuto oggi da DJ Seb questa foto della sua console.

DJ Seb ha militato nel gruppo Menhir (Nuoro, Sardegna)

DJ Seb’s console: turntable, mixer, barra (assemblata dal Barrificio Piemontese)

dj seb consolle: barra + turntable + mixer (clicca per ingrandire l’immagine)

Menhir infos — http://it.wikipedia.org/wiki/Menhir_(gruppo_musicale)