fonte: http://www.goldworld.it/gold/2009/08/gold/antonella/wax-tailor-e-dj-gruff-per-i-6-anni-di-gold/
MIX’D UP – questo il nome della serata – inizia alle
ore 21,30 con l’obbietivo di promuovere la musica nel capoluogo
fiorentino. Una serata che vede fondere la storia dell’hip hop italiano
– meglio rappresentata da DJ GRUFF e BONNOT (Assalti Frontali) – per presentare il loro nuovo pluri-premiato progetto live "Benepolismi".
MIX’D UP apre alla scena internazionale trip hop grazie alla presenza del francese WAX TAILOR
che il prossimo autunno calcherà i palchi di tutto il mondo per
presentare il suo ultimo capolavoro discografico "In the mood for life".
Aprono l’evento gli OVERKNIGHTS – promotori e agitatori del movimento hip hop nel territorio fiorentino.
venerdì 11 settembre al Saschall di Firenze, in via Fabrizio De Andrè.
entrata 5 euro prima delle 22 e 8 euro dopo le 22
your friendly neighborhood… THX 1138
Estratto dal pamphlet scritto da The Ramm-Σll-ZΣΣ (conosciuto anche come Ramm-Ell-Zee, RAMMΣLLZΣΣ, Ramm:Ell:Zee, Rammellzee o RammEllZee) sull’estetica del Panzerismo Iconoclasta spiegata e illustrata dal proprio ideatore. Questo testo, nella sua prima versione redatta nel 1979, è stato presentato alla prestigiosa Biennale dell’Arte di Venezia tenutasi il medesimo anno. The Ramm-Σll-ZΣΣ è stato il primo graffiti writer della storia ad esporre le sue opere alla Biennale di Venezia. The Ramm-Σll-ZΣΣ è stato anche un importante innovatore dell’arte del rap. Con una varietà di stili sin dagli anni 80 ha ispirato artisti internazionali del calibro di Beastie Boys, Cypress Hill ed ha collaborato con vari artisti fra cui Bill Laswell e Material. Compare inoltre in due classici del cinema hip hop della golden age: "Wildstyle" di Charlie Ahern e "Style Wars" di Tony Silver e Henry Chalfant. Il titolo del suo ultimo album è "BiConicals of The RammEllZee" prodotto dall’etichetta indipendente tedesca Gomma Records.
fonte: http://www.gothicfuturism.com/rammellzee/01.html
© Copywrite 1979 / Revised 2003
* EPILOGUE *
M x A = N has been placed by this unplanned
structure colony math to do the concentrating of friction-formation.
The equation G x O = D has placed two prophetic
universal (not according to this word-formation UNIVERSAL)
gambles.
One
universal gamble is the understructuring of a transversal register.
The letter by equation and answer to equation. The other universal
gamble is the reformation-equations to make the understructure make
itself the overstructure in an equation-evolution ornamentation by
monks who overstructured their idols and did not know that they had
remanipulated a disappearing point on a quantum transversal register.
The next point of appearance to the register’s structure was known
as armanamentation in the universal gamble of word-strategy
reformation by the reformators and themselves the receptacles. Once
again this is Ikonoklast Wars, but this time it is not the
receptacles, it is the quantum transversal registers armoured against
those the matter fact of abstract. O in the explosion equation
implosion the power of this infinities FOCI, (planet) show a vacuum
for a fetal formation to be possible due to the ladder, O shows
vacuum the element formator.
INFINITY’S
ZOETICAL COMPOSITIONAL JUNCTION
FROM ANTI-KNOWLEDGE MATTERED
A
CONDENSED ABSTRACT QUANTUM MECHANICS
Electromagnetic energy’s
knowledge conformed in a stable formation function protection around
any planet gives basis base for development of disease-culture, on
any planet with enough natural resources to conceive bacteria as long
as the orbit is the right position for that vital resource. Humans
being disease-culture (the body), spirits being gaseous energy
(disease-culture manipulation). Death is remanipulation only be
electromagnetic knowledge energy leaving disease because of
malfunction of inhabited diseaseculture, other deaths are only
CHANGE. Electromagnetics’ knowledge disperses back into the course
of the Van Allen Belt’s (in purity). ‘’
dianetical path, continuing on in evolution’s path. Knowledge is
scattered throughout Van Allen Belt in minute knowledge-particles.
Life. Electromagnetics in a photonic stage to conduct energy’s
knowledge light (pure thought) which is in all atoms inhabits
compatible disease by fusing into diseases DNA nervous-system
structure-codeplan to energize the cerebrum before its embryotic
stage sharing and manipulating and being manipulated with the
composed knowledge of the atometric D x N = A
molecules and at the end of cellular construction is conformed into
biochemical energy and is dispersed through motor neutrons. This
structural symbolic procedure-code connects the Van Allen Belt as a
symbol
and the basic symbol for language for structural symbolic
translations transformations of slanguage for energy’s purpose
through the manipulation of insight and onsight of energy and
inhabited diseases. These completed symbols are: Roman, Arabic,
Hebrew, Chinese and any other symbol NOT resembling latter
language-symbols or pictograms.
Knowledge knowledges
knowledge, the elevation of WILD STYLE-knowledge is concluded as a
SYMBOL DESTROYER, ARMOURED, MEDIEVAL MECHANISM. This formation shall
be known as IKONOKLAST PANZERISM: R.O.K.: GOTHIC FUTURISM, THIS IS
WILD-STYLE CORRECTED.
SIRPIEREULE: is electromagnetic
structure-formation function protection register dealing with a
friction-formation of compressed electromagnetic knowledge and what
it remanipulated strictly from a subject Equation-Formation Latin,
warning any misuse without the representation and reformation of the
alphabet structure-formator as it leads you into apocalyptic AP x 0 =
CALY + PTIC wars will lead you into apocalyptic wars final formation
final.
This pamphlet holds, formates the knowledges to
translate a symbol, an universal symbol, the dictionary, all
word-formations and any sentence, paragraph, page or study including
the Bible.
With formations two degrees are left open for
discussion and in math: SUG – G x EST = IONS.
First codified
law (Roman) 449 BC. Ram catches bases for structure colony
mathematics of IKONOKLAST PANZERISM. Points stabilizing friction,
intake, outpush or thrust. Start with the structure of six, 6, 360,
of equaling or extending from zero degrees equals aerodynamics. This
is the reverse like 360 + 00. IMPLOSION/EXPLOSION EQUALS
0-0+.
PREFACE
(147 B.C. Roman period begins) (1140 A.D.
Gothic period begins) From the fourth century to the nineteenth
century a development of style remanipulated by monks known as Gothic
type, or Old English type, presently used by The New York Times and
Long Island Press. This is the PROTO-product of WILD-STYLING. To my
knowledge of letter-structure, separation of sound (verbal recording)
and word-formations English, Spanish and Russian, and any other
Slanguages using Roman letter-symbols or others are not a language,
due to universal symbolic thievery. The original verbal formation
(phonetic) for the Roman letter was Latin: (L+AxT= IN).
How
can a government be structured straight using a symbolic code
subconsciously remanipulated and its symbols do not belong to the
verbal formation. To my know edge societies and disease-culture
symbols have violated universal symbolic laws and shortcircuited the
electromagnetic code of the Roman lettersymbols and others used to
build a word, the definition of a word to build a society and then a
government and a future educational process to complete universal
transit system and manipulate (blood system).
To my knowledge
of the symbolic codes of the alphabet’s formation, it is very much
incorrect. The evolution of the Roman letter structured in the
formation: ADEBRKPFLHIJTMGOQCNSVWUXYZ and the SlRPIEREULE-formated
structures. The construction of most of the symbols was remanipulated
subconsciously, J,U,W are conscious remanipulations. (Neutral) The
borrowing of subconsciously incomplete symbolic structures
(Phoenician), etc. Added to the design of the Roman letter-type,
these symbols are complete due to armament-structure in design of
IKONOKLAST PANZERISM. According to the degree of knowledge of the
cipher, triangle and square. This is not revolution, this is
evolution.
MAN:
The
infinity or Van Allen Belt
‘a section-grafage symbol’ is based with electromagnetic energies
positive north, positive-south squared, negative north, negative
south squared, chemically based dry-based, and so-called anti-based
energies. This build/destroy symbol is for science, mathematics
(universal) to our life forms knowledge and not religion. The
symbolic structure X holds fusion (W x A = R)
according to this formation and pamphlet’s breakdown-strategy
(formated by its structure). The Roman letter-type and others have
been armed to assassinate and/or abolish this supreme symbol known as
infinity-sign by removing the X from this written structure.
This
is symbolic wars using slang and ionics to understand the very
outline-structure that makes A through Z its mathematics and science
for disease-culture to understand the consequences of structure that
have been disease-culturally sabotaged and trick-knowledged.
All
formations of word-knowledge are constructed under the symbolic
thoughts of the infinity-sign.
Motion in motion, power,
armed, stride with position straight, is known as the function
formation formula for and of IKONOKLAST PANZERISM: R.O.K.
REMANIPULATION, all the knowledge for military strategy for the
(BLOOD SYSTEM) of New York City, (Universal Transit
System).
First:
MILITARY FUNCTION RAMM*ELEVATION*Z
MILITARY FUNCTION FORMATION RAMM*SIGMA*LL*Z*SIGMA SIGMA
TITLES:
MAESTRO**SHA**RISSK** (BOO) METALS, DOUBLE DEE DEATH, HYTESTYR
REMANIPULATOR OF AND FROM GOTHIC FUTURISM**IKONOKLAST PANZERISM
(ROK) INTERROGATOR OF EVOLUTION THE LETTER (THE GRILLER)ISM*IN
IKONOKLAST WARS
ALL CITY PRESIDENT AND FOUNDER OF THE TAG MASTER
KILLERS *1974-1979*
LEGIONS ASSASSINS WIZARDS 1977-79*
MIC**CONTROLLER* (ECHO-BOY) SOS STIMULATION ASSASSINATION
Infinity’s electromagnetic knowledge shows that there are
two C cipher belts one is forward the other is reversed, (foci or
planet), and an electromagnetic knowledge starting a society, for an
established knowledge is A.D., according to the dictionary. All
knowledge-remanipulation, in the universal gamble, by Monks was
destroyed by ikonoklastic emperors themselves divided realms from
disease-culture sounds and formation C-O+dominion = A GOD, GIVEN
OMNIPOTENT DOMINION.
In 1582 the 13th Pope removed ten days
from the calendar, the next day they will stay is the year 2000. From
the fourth century to the nineteenth century outline of letter,
numbers and other universal symbols and disease-cultural structures
was in the hands of calligraphers. Since then the Roman letter in a
Panzer stage of evolution from the fourteenth century to 1969-1974
was complete subconscious toyism (Treacherous on your System). From
Bubble to structure (squared) and emotional outburst era 1974-1979
was a war-era, where knowledge formed about by itself through the
body, in the dark, underground. This is a ten-year cycle of so-called
graffiti development and elevation.1980-2000 separation between WILD
STYLISM and PANZERISM, the non emotional era, knowledge of it and
purpose of it, this is full evolution of the Roman letter-type and
others in so-called graffiti.
The present infinity-sign and
the symbol X: this symbol must be separated from the present
infinity-sign by IKONOKLAST PANZERISM. The only way is to go into the
structure on paper of space or dimensions of art of paper. WILD
STYLISM: “A So Called’ element of graffiti is base-derived from
Gothic text subconsciously. The Futurism is PANZERISM-design a
subconscious development. WILD STYLE: ELEMENT TECHNIQUES, CLASSIFIED.
(ISM)
‘WILD STYLE has no rules’ in itself to have no rules
is to be ISM the goal and the rule. Separation of unique
interpretations or basic symbolic construction, example: common sense
says the only basic symbol for a missile is an arrow, shown by the
Chinese, the ones who really started all recording verbal formation
symbols, several thousand years ago. NO GOVERNMENT IS ALLOWED TO
STEAL SUBCONSCIOUS SYMBOLS.
Style separation of the advanced
statement style IKONOKLAST PANZERISM. Registeration and Draftation of
three to ten style structures of which four are commercially based in
Futurism armament. From Transit records and elimination of style
interpretation and conception on a PANZERISM scale of design
advancement in drafting techniques, you have a choice to go in, out
or remain neutral. To anyone who challenges this pamphlet me outcome
is a word-formation breakdown on these styles of
reality-construction. Since PANZERISM is conceived on a flat
dimension, one phase of WILD STYLE is conceived on a flat dimension
(paper style). This style is of knife (stabbing) technique.
In
a Symbolic War and according to the understanding of slang in
gangsterism, a paper style will burn if faced with an outranking
construction in drafting technique.
Listed are these
remanipulations.
Due to a knowledge of reality-construction
(IKONOKLAST PANZERISM), the incomplete outline-construction in the
drafting technique, the construction of this next style is concluded
as an educational technique, (JEWELRYSM) or the DISCRETIONISM or
JURYISM.
The NYMPHISM is a practice that based on my studies
are the growing baby-tanks. NYMPHISM shows the only technique of WILD
STYLISMS with some discipline and goal. Other styles and/or GOTHIC
FUTURISM include Dimensional map techniques, BUBBLE-style techniques
that deal with elements of commercial calligraphy.
All-conceived
WILD STYLISMS in any plan of operations whether for military purposes
or not will advance in drawing-technique to a PANZERISM-style
technique on the letter’s structure, masterpieces and pieces in and
on any medium does not include scenery. Any masterpiece or piece that
has a crack in its outlined structure techniques according to
PANZERISM-technique has been fired upon and hit, evidence is cracks a
factual damage-symbol in anything that deals with art.
Graffiti-era
is from the beginning to the end of recorded history!
According
to slang and reality-condensed style structure piece equals gun not
the medium, masterpiece equals cannon and/or tank or the
Discretion-technique.
TAG militarily the unreadable are a
stabbing harpoon and pulsator technique which is like a satellite.
This technique can unravel, extend, discharge, surround, attack. TAG
is not a signature but a sign-overture. Due to the formula in
construction of motion in motion construction, path of launch and
extension of the connecting SIRPIEREULE.
GOTHIC FUTURISM
THE
ANTI-BODIES
BOMBERISM: is a style based on the cipher and is
not armed but can be. WILD STYLISMS are semi-based on
Bubble-Bomberism (EMOTIONAL) subconscious, knowledge of PANZERISM.
WILD STYLISMS are INCOMPLETE outline-constructions (according to a
military technique of reality-condensed construction). IKONOKLAST
PANZERISM R.O.K.: GOTHIC FUTURISM, based on knowledge of the square
is non-emotional and doesn’t assert one’s inner identity, shows
complete outline-structure in detail of detail of a tank-styled
letter and is an Ideamotor-movement.
Piece=Gun
Masterpiece=Cannon
Mapping techniques of GOTHIC FUTURISM
(evidence technique). The construction of a dimensional graph
consisting and existing in the state of the subconscious whereas
IKONOKLAST PANZERISM is one of the 13 unseen details. Other
instruments of symbolic war are: sectioners, which cut off quadrants
of dimension and cause magnetic interference and fusion of mattered
space to reverse it.
Section-sources in RAMM
LL’s
design of ASSASSINS KNOWLEDGES OF THE REMANIPULATED SQUARE are made
of triangle grids and rotation-discs as a base for a base for a
projection-system based on RAMenergetics. In FUTURA’s
translation-map these SECTIONERS are known and constructed as a
formation of dots in front of or behind IKONOKLAST PANZERISM or
Bomberism leading attack. In another formation on military
cross-sectioning with SECTIONERS or Dimension-Sectioning, a
draft-technique that is drafted by firing two electron light beams in
different directions magnetically (using the diamond effect)
connecting at the end of a quadrant, therefore in the middle where a
dot in any colour usually bigger than the actual line is the
sectioner. From the available map-studies to show direction of
IKONOKLAST PANZERISM, FUTURA’s hand movement shows the stroke of
painting the design for IKONOKLAST PANZERISM. The structure before
(unseen) process of that stroke is a tank, at the end of the tank
FUTURA’s beginning stroke for the colour-wave combining with the
red shift of light and shows the actual stretching of the camouflage
on the tank far behind it reacting in a way as drawn speedlines so or
exhaust far out in second-dimension space.
CEREMBRIC NEUTRON
HARPOON (Thought Lance) holds complete thought-processes to
constructions and launches outline that can construct any shape
energy it wants to construct in any dimension of physical magnetics.
Several remanipulators such as dimensional doors, dimension cracks.
BOMBERISM: Construction flight base is on the cipher, which flies in
a spiral cipher. Included in the map and maps are conscious
design-stars (misplaced dimensions) the actual firing of
electromagnetic black-lights (implosion) and bio-magnetic pyramids.
Dimensional cracks: the travel of them will lead to other dimensions.
THIS IS TO DISPROVE THE OLD MOTHER’S TALE THAT WORDS WILL
OR CAN NEVER HURT YOU! IKONOKLAST PANZERISM introduced by so-called
graffiti for the remanipulation by and from energy through the body
for the repercussions and rediscussions of society’s misleading
reductional break-down. Knowledge be reborn by the understanding of
word-formations that there is no dictionary ever compelled for the
evolution of the outline of the AB. And C through Z, and other
universal structures.
Since these symbols and all symbols are
drawn, infinity’s separation from all symbols must be shown through
drawing. The only proof of such a separation of the infinity would be
the understanding by the majority of the planetary peers. There is no
other way. These pages are on the evolution of the very outline of
the universal letter-structure. Until this is read and understood the
very essence of the formations existing slanguages science and
universal letter symbol outlined structure could and will never be
understood, placed or used in an ism.
QUANTUM
MECHANICS
To
decode these mechanics, replace the last period of each passage with
one of these terms:
Is, of, or with. Then, make the first
letter of the next letter passage a small letter and read through…
.etc.
BREAK-DOWN OF STRUCTURE OF ALL LETTER-FORMATIONS IN
ENGLISH ALPHABET
A
Capitol energy houser constructor (finance) formation high bar
strategy middle lane missile launcher uppercase falls once. Second
case, second case second lane missile launcher falls twice, third
lane vortex complete, all lanes hold complete. Full knowledge
complete
(Pyramid) formation final beginning knowledge of the O (cipher and
square).
B
First lane readmission, third lane readmission, second lane curved
connected to first and third lanes fourth lane representing IBILE:
undividing E concentric 3, knowledge of the B (formation ground
separation).
Third lane starting first fold from the bottom be
the formation R, first stage capitol position. Third lane capitol
long lane missile launcher second lane equalizer for the first lane.
C-Z ALL STRUCTURES SIRPIEREULE FORMATED
C Structure knowledge
incomplete O, 60 (point-point+) missing from cipher=C, representing
third letter. Since O is broken, C cancels out itself because its
outline does, not go around and come around. In this formation XC
equals finance.
(ALL knowledge through contradiction from
contradiction spelling of CONTxRA-DICT= ION, inhabits knowledge that
this is truly knowledge of
.
DCipher
reversed. IBILE. D proceding and/or with knowledge of I showing
evolution’s dianetical course (Van Allen Belt) from energy to
concrete construction to energy reformation and all points exits
grounded from 0 to 360 (instruments), (light), (matter), the letters
are reputed to and in the left of the cerebrum, sound from 0 to 180
degrees. Electromagnetic knowledge is in the future but in the
present is fantasy of the future electromagnetic knowledge
surrounding form of I with no electromagnetic interference. I form=
Disease Culture. Electromagnetic interference formed by reaction of
reaction through or to reaction, reaction caused by IBILE symbol
(1).
Conclusion symbol reborn
Male
and Female structure
E Energie’s Evolution spelling of
EVOxLU=TION and evolutions show composed of knowledge of the
reformation from and to Sigma, (Summation Operator) considering
contradiction the use of all contradiction according to these pages.
Therefore knowledge be reborn. Fantasy, reality, mental physical
contradiction, being conversation and the matter of contradicted
fact. Knowledge of the
lines between three points also is conscious. (E 3
=
)
F Formation militairy only to all word-formations in and of A
or its position. First lane emerges from second lane upper case,
second lane extends to first rebeing P. (Low Lane) first lane second
lane to third position equals L through extension bars in WILD
STYLISM or PANZERISM explanation.
G (Cancellation C+(-)=G
being first letter G.
(-)= 60°GOQC G=0
Q=C+(-)=G
O,
Q, C = G
in this order of the knowledge techniques formation
mathematically processed subconscious structure assassination.
Development of slanguage consequences form progression of planetary
governments true understanding and consequences of present
.
Techniques, theories, facts, and their consequences, what is the
outcome*. Three equals man and reverse energy equals use of man,
consequences. Consequences equal governments before understanding
purpose and/or symbols and governments structure of slanguage.
Consequences present infinity sign. (Since it is a high official
symbol, the highest math symbol must be assassinated and abolished in
its dimension).
H WISxDO=M showing (latter lower hydrogen
upper helium) position, a middle bar (carbon) 8 rungs through 360 =
either beginning or end, the GRILLER of both and future, being
present knowledge of the letter’s compacts to the
.
PANZERISM QUANTUMMECHANICS.
I IBILE undividing
present form showing contradiction between society and knowledge
itself being 1, structure knowledge constituting laws of sculpture
structure reformidibles and laws of disease-culture (horizontal bar
lower level) (upper level) constitutes laws of electromagnetic energy
(knowledge), and abstract concept, vertical bars equal in concepts
(fusion) between and concerning forward idea movement construction
(LINE) and opposite line (abstract) anti-mattered concepts.
Illuminations and Panzerism conclude this.
J IBILE undividing
conjunction full stride half stuttle lower case curvature non-elite.
I=J formation (nonjustice=J) regardless to the outcome of any
dictionary teaching, regardless to any of any prophetic, herelithic
teaching in the English slanguage. Lower case mechanics to the
mechanics of 1.
K IBILE futurism access is upper case
gangsterism access is advancible up the scale of futurism showing
knowledge entry of electromagnetic entry from foci to the end of
slanguage symbol advancement.
L Knowledge of the concrete line
at the 45° AxLI=NE angle manipulates process between eight
45 angles and two bases. Four can be upper case four lower on the
reverse side four can be upper case four can be lower case and
opposite. 90 is the concentration point.
M Mathematics can be
produced chemically of and with latitude longitude positions of
electromagnetic structures enabling thought concentration in
phonetics in its formation. QUANTUMMECHANICS.
N NxE=0 is
concentration formation always beginning any formation thought
process of the symbols, name, formation, and character of its own
evolved square knowledge to have (NECESxSIT= IES) within the outlined
structure formation equation.
O Cipher 360 is curved in
clockwise procedure futuristic or counterclockwise destructive
motion. The development of knowledge can never build in an upwards
structure without point or points, to use a point is to build other
than a cipher. A cipher’s outline starts at O and is drawn to 360
the end using triangle and square. All knowledge clockwise and
counterclockwise according to the present
must go around and come around or in one point in its quadrants be
destructive. 2 points=1 degree. Using a triangle = 360 = 720 points =
.
P
Reversed C cipher giving longer percentage of knowledge of the
gangster spectrum of knowledge of the vertical shown by the vertical
formation by itself.
Q In counterclockwise motion or clockwise
cipher broken, crossbar showing angle of escape from party inside
cipher. Arrow symbol placed shows structure symbol of being escaping
cipher vertical line being space travel at present vertical is in
direction arc 75°. In this position is man’s and woman’s
structure symbol
(Quest).
R (C cipher reversed) IBILE bar separate at the
(science) base gangsterism knowledge connected to reversed C cipher
not at foci in future ahead of time structure at the end of the
second quadrant to the cipher’s structure. Intersection of
science-structure (medicine) diagonally intercepted for and with
strategic positioning and/or procedure. B equals split formation 13,
R first read-mission lane and third read-mission lane disengaged from
fourth lane equals structure of the K.
S Style Stroke (PHYxS=
ICS) knowledge of the square to be placed upon all word-formations.
Physical break-down strategy of the universal letters outlined
structures. Based on these and this structure.
T Horizontal
raised to capitol or finance position showing societies’
viewpoints. (PSY x CH = lC) equaling before and
after prophesies, dreammares of day and night to and of the extremes
are (horizontal) telekineses, telepathic. Time shown by the vertical
bar.
U Universal symbol to I, N, E, showing futurism and an
access to re-enter at will to electromagnetic energies past and
present. Since they will be based on this symbol conscious knowledge
in education process and electromagnetic energy is covered knowledge
projected in the future into the future.
V As you know comes
to a point, its trajectory is pointing down also showing the strategy
and positioning C cipher. Presentday government and its direction in
our present infinium, I believe, historians in the future will see
why this symbol is shown as a downfall symbol based on present day
infinity sign.
W First lane showing considered knowledge and
contraction second lane build concentration conversation for
mathematics. Third lane electromagnetic structure. Fourth lane
contradiction in conversation toward futurism, first foundation word
all formations.
X In the dictionary this symbol’s definition
means Christ. It’s structure shows four escape or enter paths of
electromagnetic energy, in the middle is a combined knowledge of all
four paths. No Infinity-Sign should have such a symbol, it shows
fusion the main remanipulator of war. Directly those knowledges that
survived its fusion will end up back at the beginning of past, but
they will go through fusion a second time before doing so. (According
to letter mathematics IKONOKLAST PANZER R.O.K. and laws of art, using
hyperbolliad and/or folium on the infinity symbol or Van Allen Belt,
trajectory is found for assassination technique on spectrum. X with –
= technique on foci or planet. This is Ikonoklast’s trajectory for
firing horizontally, vertically on infinity in its turning
sequence.
Y This symbol is firing its purpose through
mathematics to the formation I and will break that (S) (O) (E) line
between fantasy and reality and shadow dimension. Notice the
direction is downward.
Z Is a time-symbol based on energy
directed through symbolics, without friction to disease-culture
structures, an idea construction extension of 7#. A society’s
present-day government education after gatherment evolution on the
top the Roman letter is read left to right in the motion of this
symbol. From letter controlled by government showing government
losing control letter structure regaining control continuing in the
right direction, outcome, this is shown by putting a line through the
middle of the
.
That is the ground line separating society and gangsterism to and
from this consciously-labeled Roman lettertype.
with vertical bar is time triggered to intercept any overstructure
overstructuring its structure.
NAMES DO NOT CONSTITUTE ACTION,
THIS IS THE EXPLANATION CONCERNING THE DIFFERENCE BETWEEN NAMES, AND
MILITARY FUNCTION FORMATIONS IN THE USE AND USAGES OF SUBCONSCIOUS
DIMENSIONAL REGISTERS.
*NUMBER’S* In this mathematical
formation (NU+MBxE=R)
° structure definition for numbers is in
this formation W, M, 1, Q, A, L, E, R, T, S, N. This formation is a
connection of symbolic code of Roman letters to the other symbols.
Arabic numbers introduced by India which can be armed because of
their structure that represents letters, not names. There are five
Russian letters that can be armed. They are d, zh, p, i, sh. There
are three basic codes in Art (AxR=T) and Idea (IxD=E+A) for the
formation of sound*: ABSTRACTS, STRUCTURES, MILITARY FUNCTIONS.
Some
pictograms can be armed to contradict their sight and phonetic
value.
All humans are spectators to Art in the second
dimension. We are only recording recepticles for energy’s knowledge
for the build procedure.
Alphabet = Alpha + Beta without the
(A) who did that? Who titled us off as the human ‘race’, who put
us in a race and for what purpose are we racing?
Names: the
ground level, the seperations in a relationship to nature a housing
structure of disease-culture (human beings). The function of a name
and the word itself is correct in its formation on a conscious
build-up procedure to cover a territory, to conceal militarily from
territories the self-identities on ideas whether it be
electromagnetic knowledge, houses, reworkable sculpture structures,
land or universes. Therefore militarily sould formations and this
pamphlet. 5 letters in Greek can be armed, these formations are the
THETA, SIGMA, UPSILON, PHI, PSI. Any register that can’t be armed
belongs to diseased culture structure and is not a universal
structure symbol. No government owns land in this mathematical
formation (N x AM x E) =.
according
to these pages of symbolic structure breakdown. In short, (N)NEO
meaning. (A) pyramid, energy constructor house in its structure
formation. (M) is coded for mathematics structurally after a
biochemical structure to allow the structure to build upon itself if
the biochemical structure is at, a part of or can conceive genetic
construction to form the evolution of symbolic knowledge to
remanipulate this structure and its evolution. (E) is coded for the
evolution of structure of biochemical movement into idea. In
evolution’s case all function formations must apply to the name –
the name must apply to the idea – the idea must apply to the word
formation – the word formation must apply to the sound formation. If
not the strategy formation must be changed.
Z with horizontal
lines (2 IBILES) shows intersections and interceptions of energy
through symbols.
1.
=
Infinity or Van Allen Belt or Mobius Strip. Equation for
implosion/explosion. Foci becomes void abstract to idea and
equation.
2. X = Christian symbol.
3.
=
Origin, Planet, Foci.
4.
=
C cipher belt.
5.
=
Reversed C cipher belt.
download link (odt file) — ionic treatise gothic futurism – the ramm-ell-zee.odt
download link (html file) — ionic treatise gothic futurism – the ramm-ell-zee.html
ulteriori informazioni sull’argomento:
Gothic Futurism (sito ufficiale di The Ramm-Σll-ZΣΣ) — http://www.gothicfuturism.com/
LetteralMente
Grafie ad alto volume
opere di Federico Tomoz Bandini
con il patrocinio del Comune di Ravenna
Assessorato alle Politiche Giovanili
dal 5 al 20 settembre sala espositiva di Palazzo Rasponi in via D’Azeglio 2, Ravenna
orario mattutino: da lunedì a venerdì 8.30 – 13.00
orario pomeridiano: martedì, giovedì, sabato e domenica 14.00 – 18.00
inaugurazione sabato 12 settembre ore 17.00
rinfresco e dj set
Associazione Romagna in Fiore — http://www.romagnainfiore.org/
fonte: http://www.youtube.com/user/boordL
Davide "Eron" Salvadei was born in Rimini, Italy in 1973 to french mother and italian father.
He attended the Art Institute in Urbino and Riccone.
In 1988 he began to practice street writing and spray painting.
Elected best italian street artist in 1994.
His artistic research is currently focused on portraits and landscapes realized with spray cans on
canvas,
mixing child drawing, realism, expressionism and writing withing the
same art work, obtaining an unusual aesthetic impact. The subjects oh
his works often express thoughts on social themes and on the act of
drawing as an innate instinct of the human being to comunicate.
Davide "Eron" Salvadei è nato a Rimini, nel 1973 da madre francese e padre italiano.
Ha studiato allIstituto dArte di Urbino poi a quello di Riccione.
Nel 1988 inizia a praticare lo street-writing e la spray painting.
Viene eletto miglior street artist italiano nel 1994 da AL magazine.
La
sua ricerca attuale si basa sulla creazione di ritratti e paesaggi,
dipinti a spray su tela, miscelando disegno infantile, realismo,
espressionismo e scrittura all’interno della stessa opera, ottenendo un
impatto estetico insolito.
I soggetti delle sue opere esprimono
spesso riflessioni su temi sociali e sul disegnare come istinto innato
dell’essere umano per comunicare.
Eron "artwork in progress" videos: http://www.youtube.com/user/boordL
ded 2: Eron e BoordL crew, Space One, Tomoz e Romagna’n’fiore crew, Wave e Edua (WC crew), Gruff, Deda, Tay, Looperatoritaliani, Da Ninjaz, Bue, Lune, Jado, Rais, Stylo Swan, Fone, Olè crew, ADR crew, RBC crew, DXA crew (USA), Agent, Headz, PST crew, PL crew, soundz333 crew…
september 19 2009
The european tour of
DJ CRAZE (Miami, USA – 3 times DMC world champion)
DJ KLEVER (Atlanta, USA – 2 times DMC world champion)
+
DJ SKIZO (Alien Army)
TOMMY TUMBLE
DJ DP
+
POW POW SOUNDSYSTEM (Germany)
+
other DJs
Spazio Pubblico Autogestito Leoncavallo — http://www.leoncavallo.org/
Milano, Via Watteau 1
source: http://www.thenewblackmagazine.com/view.aspx?index=566
How J.B. Influenced Us
By Mtume ya Salaam of http://kalamu.com/
Type "James Brown" into a search engine or a sample-source website and you’re going to get back pages and pages of hits.
So
many that you’ll initially think you made a mistake. But no, it isn’t a
mistake. James Brown samples are just that prevalent. James is listed
as The-Breaks.com’s number one most-sampled artist ever. And his total
sample count of 903 is more than triple that of the nearest contender.
It’s said that J.B. makes millions per year on sample-related royalties alone.
So why? Why did James Brown’s music have such a pull on all of us?
The answer is actually simple. It’s rhythm.
James
Brown, the maestro managed to turn his entire band into a rhythm
instrument. And by ‘entire band’ I don’t just mean the traditional
rhythm section of the drummer and the bass player.
Listen
closely to the horn riffs on "Funky Drummer" or "Get Up, Get Into It".
That’s rhythmic, not harmonic or melodic. Listen to the classic
‘chicken-scratching’ of the guitar on "The Payback." Again, that’s
rhythm.
By the late 1960s and early ’70s, the period
most-favored by hip-hoppers, J.B. was deep into his ‘New Super Super
Heavy Funk’ phase. Even his vocals were rhythmic. He chant, spoke and
grunted his way through nearly every record.
There was virtually
no attempt on J.B.’s part to actually ‘sing’. He’d eschewed melody and
harmony almost entirely to create symphonies of pure rhythm.
Truthfully,
trying to take a brief look into the world of J.B. is like trying to
write a brief history of the universe, but we’re going to give it a
shot anyway. To keep the job manageable, and keep this post down to a
readable length, I’m going to limit the list to five and keep my
comments brief. So here, in reverse order, are hip-hop’s five favorite
J.B. breaks ever.
5. (Tie.) "Blow Your Head" – From Fred
Wesley & The J.B.’s Damn Right I Am Somebody (Polydor, 1974)
& "The Grunt" – From The J.B.’s Food For Thought (Polydor, 1972)
For
me, these two tracks from the J.B.’s – the Godfather’s backup band –
were the jaw-droppers. Even back when my musical diet consisted of 95%
rap and 5% reggae, I’d heard enough classic soul around the house to
know my hip-hop heroes were rapping over lifted loops.
Those
next-century-sounding ‘sirens’ from Public Enemy’s It Takes A Nation Of
Millions To Hold Us Back? Straight outta "The Grunt." The eerie, Big
Brother-ish keyboard whine from "Public Enemy #1" and "9th Wonder" That
would be the intro to "Blow Your Head".
If you’re familiar with Golden Age-era hip-hop and you haven’t heard either one of these, you’re in for a surprise.
Times Sampled (according to The-Breaks.com): 33 each
Overall Rank on Top 20 ‘Most-Sampled’ List: N/A
Mtume’s
Picks: Public Enemy – "Public Enemy No. 1", Ultramagnetic M.C.’s –
"Ease Back", Digable Planets – "9th Wonder (Blackitolism)"
4. "Get Up, Get Into It, Get Involved" – From In The Jungle Groove (Polydor, 1985) (Originally issued as a single in 1970)
The
actual groove is too hyper for anyone except, say, a Big Daddy Kane,
who visited and revisited this sample several times during his career.
For everyone else, it’s all about the guitar line, which is remarkably
funky and upbeat, yet at the same time, strangely ominous. I first
remember hearing this sample on K.R.S. One and Scott La Rock’s classic
boast/tribute/threat "South Bronx".
Times Sampled: 59
Overall Rank: #12
Mtume’s
Picks: Boogie Down Productions – "South Bronx", Original Concept – "Can
You Feel It?", Kool G. Rap & D.J. Polo – "Poison"
3. "The Payback" – From The Payback (Polydor, 1974)
Any
revenge song that includes a line like, "I don’t know karate, but I
know ka-razy" can’t be half-bad. Throw in a bassline for the ages, a
guitar line that’s about as addictive as nicotine and some serious funk
coming from the drum kit and it’s another classic. "I’m a man," J.B.
says. "I’m a man. And I’m a son of a man".
What about the soul sisters in the background?
Times Sampled: 65
Overall Rank: #9
Mtume’s Picks: L.L. Cool J – "The Boomin’ System", Ice Cube – "Jackin’ For Beats", En Vogue – "Hold On"
2. "Funky President (People It’s Bad)" – From Reality (Polydor, 1975)
This
one has been chopped up so frequently and so completely, that it’s hard
for me to hear it as an actual song. For someone with hip-hop ears
"Funky President" sounds more like a megamix of rap breaks than it
sounds like a musical performance by an actual band. How’s that for
weird? A sample source that has been sampled so much that it starts to
sound like a mix of samples.
Times Sampled: 100
Overall Rank: #5
Mtume’s Picks: Eric B. & Rakim – "Eric B. Is President", Ice Cube – "Jackin’ For Beats" (again), Das EFX – "They Want EFX"
1. "Funky Drummer" – From In The Jungle Groove (Polydor, 1985) (Originally issued as a single in 1969)
Number
one by far. And, I can say with certainty that the 182 records listed
on The-Breaks.com are only the tip of a very large, wide and deep
iceberg. Remember, The-Breaks lists only verifiable samples and nearly
all of them are from the world of hip-hop.
But like the ‘Amen’
break, the break from "Funky Drummer" has become ubiquitous enough that
it is no longer always thought of as an actual sample, and its use
certainly isn’t contained to hip-hop.
These days, the James
Brown beat can turn up anywhere: commercials, pop tunes, movie
soundtracks, random NBA dancers’ halftime routines, embarrassingly bad
Madonna/Lenny Kravitz records, literally anywhere.
The "Funky
Drummer" break may have began as a fragment of a song, but it’s become
an integral part of the soundscape of the modern world. The thing is,
someone had to play that beat. That someone is James Brown’s main man
and master funk drummer Clyde Stubblefield. With the possible exception
of the ‘Amen’ break’s G.C. Coleman, Stubblefield is probably the most
unwittingly prolific session musician in the history of recorded music
itself.
Times Sampled: 182
Overall Rank: #1
Mtume’s
Picks: Run-DMC – "Run’s House", Ice Cube – "Jackin’ For Beats" (why
not?), Sinead O’Connor – "I Am Stretched On Your Grave"
When
you consider that rap music in its essential form is nothing but vocal
rhythms (MCing) layered over drum rhythms (DJing) with no melody or
harmony, it shouldn’t be surprising that hip-hop and James Brown would
fit so well together.
In fact, the Godfather of Hip-Hop himself,
Kool DJ Herc has been quoted as saying that if it weren’t for James
Brown, there would no such thing as hip-hop. All I can say to that is
‘amen’. (No pun intended.) This one’s for you, J.B. Rest in Peace!
Mtume
ya Salaam is a published writer and an expert on contemporary Black
music. He lives in New Orleans, USA and can be reached at
mtume_s@yahoo.com
Please e-mail comments to comments@thenewblackmagazine
Tayari Kwa Salaam Says:
Hush mah mouff! It’s James Brown!
Little
did I know bout how much he meant to hip hop. I mean, I know he is an
influence, but to the extent you’re reportin here . . . damn!
Youngblood Says:
Funk
is a process; a process changing one’s perception of self in time and
space. One of the greatest songs in the history of popular black music
is James Brown’s sixties soul classic, ‘Say It Loud, I’m Black And I’m
Proud’. Never before had any popular entertainer captured the mood of
Black people.
It was The Godfather dancing under the white
hot and exacting glare of television light. Adorned in black silk papa
humped and slid, leaving sweaty images of obsidian Jesus on the back of
his shirt and shinning images of Blackness in the national
consciousness. They hated James. We loved him. As we raised our voices
in song a dark cloud of polution also billowed as hundreds gathered to
burn James’ records. Now they love him. And We hate to see mug shots of
him on every national news telecast and tabloid; hair laid to the side
‘processed’ like unfortunate strands of genocide. Good song though!
Nuovo (in reatà è uscito da qualche giorno) looper fresco fresco (è il caso di dirlo!) prodotto da Blacky|B del collettivo Looperatoritaliani.
Il titolo è tutto un programma: "SLURP. I succulenti gusti delle disconnessioni cerebrali in ciclo" (!!!)
download link: http://www.blackyb.com/slurp/slurp.html (vai alla pagina con le varie versioni: .swf, Mac e PC)
ottimi beats per lo scratch, futurismo gotico… il looper si può ascoltare all’indirizzo qui sopra direttamente nel browser web (ovvero quella cosa che ti fa leggere le pagine su infernet).
un salutone a Blacky
(^o^)/
listone looper Looperatoritaliani:
http://www.djbla.com/music/looper/listone.html
listone swf — http://www.autistici.org/2000-maniax/looper/looperatoritaliani%20swf%20philes/
fonte: http://www.washblade.com/2003/9-5/arts/feature/hiphop.cfm?page=1
Embracing hip-hop
A homophobic atmosphere pervades the hip-hop industry, but some say the stigma is slowly fading
Rappers Common and Eminem are tied for the second most mentions on a list about hip-hop artists who have used anti-gay lyrics in their music. But on a recent track titled ‘Between Me, You & Liberation’, Common soberly tells of a friend coming out of the closet to him, and the emotions he experienced while listening. (Common photo by AP)
Sep 05, 2003
By: RYAN LEE
VISITING “DA DIS LIST” — an online archive of homophobic hip-hop lyrics — it’s easy to see how today’s most dominant urban music genre can be perceived as anti-gay. Compiled by an e-mail listserv known as Phat Family, Da List is littered with lyrics ranging from subtle put downs (“Niggas hate you, they ain’t paying you no attention / In a circle of faggots, your name is mentioned”) to menacing threats (“Your faggot ass better stay to dancing / don’t even look at me, I might break your jaw for glancing.”)
“On the surface, hip-hop is extremely homophobic,” says James Peterson, an English professor who teaches courses on hip-hop at Penn State-Abington, north of Philadelphia. “But beneath the surface, there’s a lot of interesting things going on. It’s an extraordinarily complex social interaction [between gays and hip-hop].”
THE PHAT FAMILY list comes with a disclaimer advising that the 37 examples of anti-gay language on the site don’t come close to representing the complete body of homophobia found in hip-hop lyrics.
“Hip-hop is very anti-gay, and how unfortunate that is,” says Tori Fixx, a Minneapolis gay rapper preparing to release his third album, “black.out,” this month. “It’s sad because there’s literally no respect for these people — us — at all in the music.”
From its inception, hip-hop has been branded as being misogynistic and homophobic, perceptions fueled largely by the hyper-masculine lyrics and personas of mainstream artists.
A bedrock element of hip-hop over the past three decades has been emcees battling one another, searching for the most degrading verse to defeat an opponent. One of the least original forms of dissing another rapper is to challenge his manhood by calling him a “fag.”
“Some of that is homophobia, but because it’s such a masculine culture, gay terminology is used to denote any kind of negative,” says Peterson, who also is media coordinator for the Harvard University-sponsored Hip-hop Archive Project. “It’s not necessarily being explicitly anti-gay.”
Many gay rap fans are “linguistically savvy enough to know that some of these terms are not targeting them,” Peterson says.
Fixx partially agrees.
“If an artist calls another artist a punk or a faggot in a song, then moves on, then that’s just beef with that person,” Fixx says. “But if the artist is mentioning punks or faggots as a whole and is discussing or promoting violence of any kind, that’s different and one should be offended and stop supporting that artist.”
THE OUTRIGHT PERSECUTION gays experienced in hip-hop has diminished considerably, according to Reggie Thomas, a promoter at Club 708 in Atlanta who has been promoting black gay clubs for the past 12 years.
“Some of the earlier stuff mattered because it was specifically directed toward the gay crowd,” he says. “But it’s really not a big issue now because the artists may say something, but it’s not as harsh as it used to be.”
Nevertheless, the majority of hip-hop artists — particularly males — are keeping their gay fans at arms’ length.
Local rappers in Atlanta turn down opportunities to perform at Club 708 so often, Thomas says he’s stopped asking.
“They’re not going to do it because of their reputation,” he says. “They won’t do it anytime they know it’s a male gay club.”
This stigma against gays in hip-hop is a by-product of a general discomfort with gays among some African Americans, Fixx says.
“What many people don’t realize is that homosexuality is not accepted in the black and Hispanic communities,” he says. “Being that hip-hop is predominantly made up of black and Hispanic artists, homosexuality won’t be accepted or respected in the music any time soon.”
WITH FIVE SONGS each, rappers Common and Eminem are tied for the second most mentions on Da Dis List. But a second disclaimer on the list seems to speak directly to these two artists.
“In the interest of fairness,” the Web site states, “it should be noted that some of the more blatantly homophobic quotations are from early in certain rappers’ careers, and do not necessarily represent the artists’ current views on homosexuality.”
Eminem curried a certain level of forgiveness for his early anti-gay lyrics when he performed with gay pop star Elton John at the Grammy Awards in 2001, although Eminem was still boycotted by the Gay & Lesbian Alliance Against Defamation.
The outspoken rapper likely learned from previous victims of organized gay protests — from Donna Summer to Dr. Laura — that it’d be better for his career to avoid homophobic lyrics, says Lisa Cox, founder of “Girls in the Night,” a lesbian party circuit in Atlanta.
“He’s changed his tone and turned it down a lot,” she says. “The gay market is extremely powerful and can make or break any artists.”
On his latest CD, “Electric Circus,” Common seemed to repent for the anti-gay lyrics he regularly spewed on his first four albums, including, “Homo’s a no-no, so faggots, stay solo” and “I’ll turn you into the artist formerly known as You gay ass fag.”
On the track titled “Between Me, You & Liberation,” Common soberly tells of a friend coming out of the closet to him, and the emotions he experienced while listening.
“So far we’d come, for him to tell me / As he did, insecurity held me / ’Til his spirit yelled help me,” Common rhymes. “How could I judge him? Had to accept him if I truly loved him / No longer, he said, had he hated himself / Through sexuality he liberated himself.”
Common’s reputation as a street-turned-bohemian artist grants him a creative license to explore issues others are afraid to take up, according to some hip-hop experts familiar with his work.
Although his conscious lyrics may not appeal to younger listeners, Peterson said Common’s new direction about anti-gay lyrics is “a big turning point.”
“I think it teaches the mature fan base about how things work, and that’s what we need: We need to see our artists mature and we need some things explained,” Peterson says. “I think it’s a great story to tell and it’s really a model for a lot of artists out here on how to evolve and grow.”
LESBIANS HAVE MADE even more headway into hip-hop, probably because of the girl-on-girl fantasy endorsed by even the most anti-gay artists, according to Cox.
“Back in the day, we couldn’t get an artist to do a girl party to save our life,” Cox says. “But now we have earned the respect of the recording artists and they recognize they have to embrace all of their fans.”
“Girls in the Night” recently was scheduled to play host to a party at BarCode in downtown Atlanta featuring Big Gipp from the rap group Goodie Mob. Female rapper Da Brat was to perform at another club.
When New York-based gay rapper Caushun began appearing in urban magazine articles and on MTV, it seemed barriers around hip-hop were about to be torn down.
But two years later, little has changed.
“The media focused on his title, not his music,” Fixx says. “No music surfaced, so I think that hurt us more than it helped. It’s almost like the media wanted to make a joke about it, and they missed the boat entirely.”
Caushun was thrust into the position of spokesperson for gays, something he was not ready for, Peterson notes. Yet despite the rough start, Peterson, Thomas and Fixx agree that it is just a matter of time before an openly gay rapper emerges, becomes successful, and puts another dent in the stigma.
“Once one gets out there, it will become like the Eminem thing — the ‘white rapper syndrome,’” Fixx says. “Everybody will be trying to grab the next big thing.”
——
Phat Family web site — http://www.phat-family.org/
nuovo looper flash prodotto dal collettivo Looperatoritaliani — new flash looper by Looperatoritaliani:
MANIACI Looper
animazione flash: Tomoz
codice: Danilson
download link: http://www.djbla.com/music/maniaci.zip
listone looper Looperatoritaliani:
http://www.djbla.com/music/looper/listone.html
listone swf — http://www.autistici.org/2000-maniax/looper/looperatoritaliani%20swf%20philes/
