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DJ Premier @ Yab (FI) lunedì 3 novembre 2008

October 29th, 2008 1 comment


DJ Premier
è una leggenda vivente Hip Hop: DJ, rapper, producer, nonchè apprezzatissimo turntablist e scratcher, è dal 1987 uno dei protagonisti piu’ acclamati della scena hip hop a livello mondiale.

DJ Premier sarà per la prima volta in Italia a Firenze allo Yab in via Sassetti 5 (zona piazza Repubblica) il prossimo lunedì 3 novembre 2008

Alcune produzioni notevoli:

i beat di "NY State Of Mind", "Represent", e "Memory Lane (Sittin’ in da Park)" nell’album di esordio "Illmatic" di Nas,

gli album di Jeru The Damaja "The Sun Rises In The East" e "Wrath of the Math"

i beat di "KRS-ONE Attacks", "Outta Here", "Mortal Thought" e "I Can’t Wake Up" nell’album di KRS-ONE "Return Of The Boom Bap"

e ovviamente ha coprodotto con Guru gli album di Gang Starr (di cui è membro fin dagli esordi)

info:

http://it.wikipedia.org/wiki/DJ_Premier 

http://en.wikipedia.org/wiki/DJ_Premier 

clicca per ingrandire il poster

video:



intervista 

Rajstah mixxx Stroboman feat. THX – live @ Rex Bar (FI) 30 10 2008 + FTC @ Fortezza (FI) 31 10 2008

October 27th, 2008 Comments off

RAJSTAH mixxx STROBOMAN featuring THX – drum&bass dubstep live set

Rajstah – keyboards, sound design, programming, fx, vocals

Stroboman – acuostic drum set, vocals

THX – turntables, samplers, fx  

giovedì 30 ottobre 2008 – Rex Bar, via Fiesolana 25r – Firenze – ingresso libero

venerdì 31 ottobre 2008 – Fortezza Da Basso, padiglione Cavaniglia – Firenze – ingresso 5 €


RAJSTAH mixxx STROBOMAN – Never See The Time – CD booklet scans:

clicca per ingrandire le imagini

RAJSTAH mixxx STROBOMAN videos:

http://www.sonorika.com/stroboman/video/226261/

VENERDI 31 OTTOBRE 2008


TRICK or BEAT – HALLOWEEN PARTY

– BIG RED MC Ex Raggasonic (Francia) + DJ ROM1 Explicit (Francia) – D&B, Grime, Bassline
– DJ CRAIM (Firenze) Scratch & Turntablism showcase – campione ITF Italia, DMC Italia, DMC world finalist + more …
– RAJSTAH mixxx STROBOMAN featuring THX on the Wheels of Steel – Live Set (Firenze) – Dubstep, D&B
– NUMA CREW (Firenze) Rap, Dubstep, D&B

clicca per ingrandire

Fortezza Da Basso, Firenze – Florence Tattoo Convention

info http://www.florencetattooconvention.com/

Apertura al pubblico ore 22:00 – Open 10:00 pm

ingresso 5 €uri 


clicca per ingrandire

trascritto dal vostro amichevole vicino THX 1138

Trick Or Beat – Halloween party 2008 Firenze

October 17th, 2008 Comments off

VENERDI 31 OTTOBRE 2008

TRICK or BEATHALLOWEEN PARTY

– BIG RED MC Ex Raggasonic (Francia) + DJ ROM1 Explicit (Francia) – D&B, Grime, Bassline
DJ CRAIM (Firenze) Scratch & Turntablism showcase – campione ITF Italia, DMC Italia, DMC world finalist + more …
RAJSTAH mixxx STROBOMAN featuring THX on the Wheels of Steel – Live Set (Firenze) – Dubstep, D&B
NUMA CREW (Firenze) Rap, Dubstep, D&B


clicca per ingrandire

Fortezza Da Basso, Firenze – Florence Tattoo Convention

info http://www.florencetattooconvention.com/

Apertura al pubblico ore 22:00 – Open 10:00 pm

ingresso 5 €uri 


clicca per ingrandire

trascritto dal vostro amichevole vicino THX 1138

Madlib The Beat Konducta “WLIB AM King Of The Wigflip” LP

October 10th, 2008 Comments off

E’ uscito il 29 settebre il nuovo LP di Madlib The Beat Konducta WLIB AM King Of The Wigflip su etichetta BBE, per la serie The Beat Generation (http://www.the-beat-generation.com/)

Dal sito ufficiale dell’album (http://www.kingofthewigflip.com/) si puo’ scaricare una preview dell’album mixata da J-Rocc (The World Famous Beat Junkies) della durata di 30 minuti circa. Personalmente apprezzo molto le produzioni di Madlib, di J-Rocc e dell’etichetta Stones Throw quindi per me è un must ascoltare questo album. Sto ascoltando la preview mixata da J-Rocc in questo momento mentre scrivo e devo dire che è sicuramente all’altezza delle produzioni precedenti. 


Madlib official wallpaper (1024 x 768 pixel) dal sito http://www.kingofthewigflip.com/

Il vostro amichevole vicino THX 1138

hip hop @ everything2.com

September 11th, 2008 Comments off

fonte: http://everything2.com/index.pl?node=hip+hop&lastnode_id=124&searchy=search 

(idea) by ZamZ (2.5 wk) (print)       (I like it!) 2 C!s Thu Aug 10 2000 at 13:46:5

How to define what I’ve tried to live for the past 15 years?

It starts with this, Your own words in your own voice.

Hip Hop is your story, it is your participation.

Never mind HIS story
Tell a little about your story
The Real Story

Everything that is important to Hip Hop is about your creativity, it’s about expressing who you are and what you are, in your own words, and in this way making a contribution to what Hip Hop is.

Hip Hop is a form of positive creation

Hip Hop started with DJ‘s and turntables making new music from old to please crowds at parties in the Bronx. MC‘s were added to the mix to give a vocal aspect. Graf existed on its own well before Hip Hop got started, but its spirit of creativity on your own terms mixed well with Hip Hop and the two grew together for a while. Break Dancing
broke more than just bones, it redefined what modern dance could be and
did so from a street level, outside of the art houses that dance had
become. Again, your art, your expression.

Hip Hop started from the street
It’s not soft it’s a gristled beat
Old, that’s a no no
Hip Hop must be fresh and original

Whatever Hip Hop truly is it is more than a specific sound or look, more than what defined it yesterday or defines it today. A sub-culture? In a way, but Hip Hop made a new movement for its time. It took the roots of what Andy Warhol
did of sampling modern culture and turned it to music, mixing it with
electronica and poetry, taking along with it the anger and ferocious
belief in itself of Punk. In doing so it released a flood of sampling in music and art that has overtaken almost everything in modern media. From the modern forms of dance music to the latest in video installation displays in art galleries, Hip Hop was an enabling force in the way it freed people from the constrictions of the culture that went before it.

If you want understand what Hip Hop is then you must create. To observe is to miss the point. And in your creation remember always that the focus is yours, the message and the medium
what you choose it to be. The only real restriction is that it must be
about you, not the imaginary you that you wish to present (the mistake
of Gangsta Rap) but the you that is real.

Don’t depart
From the heart

Express your wants and desires, political opinions. Talk of your race (White or Black or Whatever) and your place in society. Do it musically, do it in verse, in story, in photographs and in painting.
Do not restrict yourself to the current isms and boundaries that define
what culture IS, redefine culture as you create it. Break rules and do
so with a pride in who you are and what your creation stands for.

Remember in your expression that you are unique and have a unique
perspective. No-one can truly understand your angle. But remember also
that you are not alone, whatever your position in this world you share
common values and experiences with many others. If you express the
truth of who you are you will find common ground and true communication
with those others.

I said before pride in who you are.
This is important. If you are to express what and who you are you must
ready yourself for others to judge and be critical of both you and your
form of expression. Have pride
and ignore it. If someone wants to help by suggesting how you might
improve then fine. Merely to critisize is nothing. Critics are easily
made. Expressing yourself with real truth is one of the hardest, if
most rewarding, things you can do. Remember also in this not to be
quick to judge others expression. Have respect. Expect respect.

And if they look at you like you’re insane
And they start calling you scarecrow
and say you ain’t got no brain
Tellin’ folks that you suddenly gone lame
That white folks have finally co-opted your game
Or worse yet implying that you don’t really know
That’s the same thing they said about us
A long time ago.

A word about what people perceive as Hip Hop today. It isn’t what you
see on MTV. With their vehement self-expression and radical new sound The Clash are more B Boy than Snoop Doggy Dog will ever be. With its diversity of culture and use of technology to create a new medium Everything2 comes closer to the true spirit of Hip Hop than anything Eminem could dream of creating.

And Hip Hop as a musical form
in its own genre still exists today. It is pumped out by small German
crews with cheap videos. It’s made in London by angry young guys with
an extreme passion for noise. It exists wherever someone gets up and
mixes, strings words together on a mic and does so for the passion of
doing it and the want to tell their story.

Be true to yourself. Create. Oh, and Enjoy yourself. This is utmost in importance.


Note, I know the quotes in bold are not exact. But, hey, they had a remix! 


(thing) by Obso1337 (3.5 y) (print)       (I like it!)   Thu Oct 30 2003 at 22:18:56

Hip Hop is a culture. It’s a style. It’s how you talk, it’s how you dress, and it’s how you live daily.

Let’s not forget the elements though. Hip Hop consists of four distinct elements/pillars:

1. The DJ. Recongized as the backbone of hip hop, the DJ or turntablist provides the music and therefore controls the mood
of his audience. A good DJ should be able to get a feel for his
listeners and provide what they want to hear. If they want to dance, he needs to play dance-able music. If they want to chill, he should play something more mellow. As has been said, Kool DJ Herc was the first to extend the break
of the record by playing two of the same record and switching back and
forth between them. The DJ is the main ingredient of hip hop, and
everyone else is his arms and legs.

2. The MC or emcee. Short for Master of Ceremonies, the MC calls the crowd and gets them pumped. He might spit a rhyme or two, but originally MC-ing wasn’t about rapping. Rap came later and almost killed hip hop. The MC is really about speaking verbally for the DJ, or making announcements.

3. The B-Boy. A b-boy is a breakdancer.
In fact the term "b-boy" is short for "break-boy." But here, "break"
didn’t come from breaks on the record, but rather street terminology.
If you were "breaking" at a party, you were causing trouble or acting
crazy. It also referred to the status of the people living in the Bronx. You could say, "He broke. He went through a breaking point." So the exaggeration was applied to the dance at the time.

4. Graffiti. Graffiti is wild style art. It usually takes the form of spraypaint on the sides of buildings or boxcars, which is illegal. But graff is still art, which sparks many debates between pro-graff and anti-graff groups. Some don’t consider graffiti an element of hip hop, and this holds true with low quality tags, but in general it fits with hip hop very well.

Hip
Hop lives and breathes. It is a way of life and a state of mind. The
beauty of Hip Hop is that it is a positve reaction from people living
in a negative environment (the ghettos/projects). How can that not be respected, if not embraced by society?


  outline by THX 1138 (2006) 

xxx

Categories: hip hop kulture Tags:

Wave Twisters visual brain cartridge

September 6th, 2008 Comments off

Il primo film di animazione Hip Hop!!! Consigliata la visione a tutti i DJs, MCs, B-Boys e Graffiti Writers. Le animazioni sono superbe e la trama del film è degna della migliore Science Fiction, ma con un tocco comico-demenziale tipico della casa di produzione Thud Rumble. Inizialmente uscito come album nel 1998 il progetto è stato ampliato in questo stupendo film. Il film mostra anche personaggi reali, ovvero DJ Qbert, DJ Flare, D-Styles e Yogafrog, impegnati nelle loro scratch routines. Le scene del film sono sincronizzate perfettamente con la musica. La trama e la colonna sonora sono nate da un’idea di DJ Qbert. 

Qui sotto trovate i link da dove scaricare le parti del film (ad alta qualità) oppure potete vedere il film nella finestra youtube integrata in questo post. Attenzione! Per decomprimere i file avi devi avere precedentemente scaricato tutti e 4 gli archivi.

Buona visione e buon divertimento!

Il vostro amichevole vicino THX 1138 

DJ Qbert’s Wave Twisters – (durata: 45 minuti circa)


fonte: http://en.wikipedia.org/wiki/Wave_Twisters

Wave Twisters (2001) is a completely animated film, also known as the first turntablism-based musical. It is based on DJ Q-Bert‘s album of the same name.

A crew of heroes is determined to save the lost arts of Hip Hop. Break Dancing, Graffiti,
MCing, and DJing from total extinction. The lost arts are being
oppressed throughout inner-space by lord Ook and his evil minions the Chinheads. The dental commander Dr. Julio Azul DDS, assumed to be secretary Honey Drips, Dental Hygenist/Robot
Rubbish, and Grandpa have a series of adventures, synch’d to the music.
Armed with the ancient relic known as the Wave Twister (a small
turntable/wristwatch, the only weapon powerful enough to defeat the
enemies), they travel to the far ends of inner-space for a final
confrontation with the sinister army of oppressors. The film ends with
the team teaching the liberated the lost fundamentals of hip hop.

The film is entirely scripted to match the DJ Q-Bert recording. As such, it can seem a little disjointed at times. It was produced digitally using Adobe After Effects and a relatively small team of animators.


fonte: http://dergatron9000.blogspot.com/2007/06/dj-qbert-wave-twisters-dvd.html 

This
highly original, incredibly inventive film presents its story entirely
through the use of scratch music–laying out the plot through drums,
vocals, melodies and sound effects. WAVE TWISTERS follows the Dental
Commander and his loyal team. After figuring out that an ancient weapon
called the Wave Twister is the only one powerful enough to defeat their
enemy, Ook, the Commander and co. travel across innerspace for an
intense final battle.

DJ Qbert – Wave Twisters DVD Part 1

DJ Qbert – Wave Twisters DVD Part 2
DJ Qbert – Wave Twisters DVD Part 3
DJ Qbert – Wave Twisters DVD Part 4


fonte: http://everything2.com/e2node/Wave%2520Twisters 

Wave Twisters

(thing) by Dialogue (6.6 y) (print)       (I like it!) 1 C! Thu Mar 01 2001 at 16:26:48
Wave Twisters is the name of the full length album released in November 1998 by the excellent mixer, DJ Qbert. It showcases the skill and talent of this artist in an astounding 45 minutes of beauty. The album purports itself to be a soundtrack for the fictional TV show, Wave Twisters. Many of the tracks can be imagined to be themed for a TV show.

Track List- 

  1. Turntable TV
    Intro to the album. A harsh intro to the type of style Qbert will be using throughout. Mostly the words "Turntable TV" warped and twisted for a minute and a half, with a few samples thrown in. 
  2. A Word from Fresh Breath Mouthwash
    A very cute little "commercial" spot for the show. A very lightly mixed spot of a young woman singing a theme song for a mouthwash. Very cute.
    "Now here’s something to think about, something very important about your health. Brush your teeth, please do it, brush them night and day, the very best care will keep them there and they’ll never, ever move away." 
  3. Enter the Wave Twisters
    "And now, Fresh Breath Mouthwash Presents, Wave Twisters!" 
  4. Inner Space Dental Commander
    If you like linear lyrics, the rest of this album is not for you. Now Qbert gets right down into the mixing and sampling. This "theme song" for Wave Twisters is a dental themed, three minute mix fest with some horns, and about three samples. 
  5. Redworm
    Now we’re into the show itself. Outer space antics sampled from terrible 50’s sci-fi, with turntable goodness all around. 
  6. Cosmic Assassins
    Star Wars, Star Trek, Blaxploitation samples, with jazzy interludes. Beauty. 
  7. Destination – Quasar 16.33.45.78
    This is my favorite track on this album. This was the track off of this album that I heard in a small grocery store, which prompted me to pick up the album. Samples from many, many sources, with an electronicy background. Includes samples from MechWarrior 2 and StarCraft. Aww yeah….. 
  8. Paranoia
    Another excellent hard core sampling track. Almost an extension of Destination – Quasar. 
  9. Invasion of the Octopus People
    The attack of an alien race on the Tv show. Rapid sampling done at low volumes. This track is mostly a showcase for the skratching itself. Excellently done. 
  10. Electric Eye Beam Abduction
    Creepy track. The Aliens have obviously taken over. Features several different warpings of Star Wars samples. 
  11. Razorblade Alcohol Slide
    Deeply bass-ful Thumping and Skratching. More Samples
  12. Sneak Attack
    The humans mount a counter attack against the aliens. Hard skratching and samples. 
  13. Movement 1 – Quadraphonic Element Download
    These three movements all finish up the "TV show" part of the album. These three tracks show off all of QBerts skills, from mixing and sampling to hard core skratching.
  14. Movement 2 – 6 Fingered Fury
  15. Movement 3 – Inside Out Body Warp 
  16. Turntable TV (Blueprint)
    Remix of the above Turntable TV track. 
  17. Aphrodisiskratch
    Only available on some imports, this amusing track samples a 50’s short about nocturnal emissions. Much moaning and ooh’ing.
 

(thing) by dokool (8.9 mon) (print)       (I like it!) 1 C! Sun Nov 17 2002 at 3:08:24

Guess what? The TV Show that this album could have been a soundtrack for isn’t fictional anymore.

In 2001, Wave Twisters: The Movie took the world by storm. Led by illustrator Doug Cunningham (a/k/a Dug1, a legendary San Francisco graffiti artist) and directed by Syd Garon (who did music videos for Marilyn Manson) and Eric Henry,
Wave Twisters is the perfect compliment to one of the most interesting
concept albums to come to pass. The animation clicks seamlessly with
the soundtrack, which is exclusively comprised of DJ Qbert’s Wave Twisters LP in its’ original form. Action is synced to each scratch, each sample, and each beat in a impressive display of CGI, cel-based animation, photo collage, and live action.

As is described on the back of the DVD, the plot is a sci-fi kung fu epic. Our hero is the Inner Space Dental Commander, who goes throughout space and fixes the grills of many different species. One day, as his ship falls under attack by the Red Worm, our hero discovers a turntablewatch inside the mouth of one of his clients after getting high on nitrous oxide and hallucinating an appearance of the ever-famous Buckethead. He and his partners, Rubbish the medical robot and the lovely Honey Drips find out that this watch is actually the Wave Twister, the only weapon with enough power to destroy Lord Ook and free the residents of Arrow Town, thus restoring the Lost Arts (MCing, Break Dancing, Graffiti, and DJing. They’re told this by B-Boy Grandpa, whose missing hand actually contained the Wave Twister when it was discovered by the Innerspace Dental Commander.

When they arrive on the planet, they find that the residents of Arrow Town are under seige by the Octobots, who are piloted by members of the Invisible Skratch Piklz (including DJ Qbert himself) as well as DJ Flare. We learn that Lord Ook’s henchmen actually use the forbidden Lost Arts in order to enslave the population, who look surprisingly similar to Playmobil people.

As was mentioned before, the Wave Twisters LP is the exclusive soundtrack to the movie, with no other audio added. Every scratch and every sample gets put to good use, and the chapter titles mirror the track titles mentioned in the writeup above mine, even including the Turntable TV tracks, but not the Aphrodisiskratch import track.

Wave Twisters was tied for first in the South by Southwest Film Festival in 2001, along with Super Troopers and Ladyporn, and is a permanent part of the San Francisco Modern Art Museum‘s digital archive.

The DVD contains tons of extras, including commentary, film to animatic comparisons, a 5-angle clip of the DJs in action (taken from when they were filmed for the movie), the ever-important deleted scenes, and subtitles in plenty of languages. It’s region free as well, so you can enjoy Wave Twisters anywhere. Running time is roughly 46 minutes.

Source: http://www.wavetwisters-themovie.com, http://www.djqbert.com

What You Wanna Do (Party)

August 30th, 2008 Comments off

Ice-T. Uno dei miei rapper preferiti da sempre. Ultimamente è il fulcro di una discussione in rete scatenata da un video, da lui stesso postato su youtube, che è un dissing rivolto a Soulja Boy, un giovane MC di Atlanta (Georgia). Qua sotto potete leggere (in inglese) un resoconto della questione:

fonte: http://en.wikipedia.org/wiki/Soulja_boy#Feud_with_Ice-T

Feud with Ice-T

In June 2008, on DJ Cisco’s Urban Legend mixtape, Ice-T
criticized Soulja Boy for "killing hip-hop" and his song "Crank That"
for being "garbage" compared to the works of other hip-hop artists as Rakim, Das EFX, Big Daddy Kane and Ice Cube.[28]
Soulja Boy responded in a YouTube video by mocking Ice-T’s age (Ice-T
was born in 1958) and claiming that he needed to support his family
through his brand of music. Ice-T proceeded to offer a video response
to Soulja Boy’s reaction in which he made an apology for the harsh
comment, but many felt it was a backhanded apology, because at the end
of the video Ice-T’s son appeared reiterating the same negative comment
to Souljaboy as Ice-T had stated in the mixtape. However Ice-T did not
apologize for his critique on Soulja boy’s music even as to go so far
as reiterating his belief that Soula Boy’s music was "garbage". Rapper Kanye West
defended Soulja Boy by arguing that Soulja Boy created a new, original
work for hip-hop, thus keeping the authentic meaning of the music.[29]
Soulja Boy followed suit by posting another video on the internet in
the form of a cartoon mocking Ice-T and ridiculing a video clip of
Ice-T dancing.[30]


What You Wanna Do (Party) – Ice T & Rhyme Syndicate mp3

[SND] what ya wanna do - i..> 15-Apr-2009 12:55   12M  

http://www.youtube.com/watch?v=w-b0uESS_bE

Your friendly neighborhood THX 1138

Categories: emceeing, hip hop kulture Tags:

“Kiss My Baadasssss – Ice-T’s Guide To Blaxploitation” video (Pt 1, 2, 3)

August 27th, 2008 Comments off

Kiss My Baadasssss – Ice-T’s Guide To Blaxploitation

Una interessante e divertente guida al Cinema Blaxploitation a cura di Ice-T. Buona visione!

Ice-T takes a look at Blaxploitation Cinema and black culture,
featuring interviews with such personalities as Iceberg Slim, Richard
Roundtree
, Isaac Hayes (R.I.P.) and Melvin Van Peebles.

part 1:

Your friendly neighborhood THX 1138 

Categories: hip hop kulture, varie Tags:

STRICTLY HIP HOP – commenti moderati

August 21st, 2008 Comments off

Strictly Hip Hop

A causa di qualcuno che evidentemente non ha niente di meglio da fare che scrivere commenti fuori tema e offensivi nei confronti miei e dei miei amici d’ora in avanti TUTTI I MESSAGGI SARANNO MODERATI. Se non vedete comparire immediatamente il vostro messaggio sulle pagine di questo blog il motivo è l’attivazione del plugin “moderate comments”. Se il vostro messaggio non sara’ ritenuto offensivo o privo di senso (per lo meno in questo contesto) apparira’ non appena lo avro’ moderato.

Mi si rimprovera che i writers scrivono sui monumenti e sui palazzi storici qui a Firenze. A parte il fatto “che me frega amme di quello che dicono i sempliciotti fiorentini?” e sopratutto cosa c’entro io con gli altri writers? Avete mai visto su questo blog foto-trofeo di scritte fatte su edifici storici?  Neanche io sono d’accordo con i writer che scrivono sui muri degli edifici storici e personalmente evito di farlo sempre e conosco anche writers che si sono incazzati quando un certo Spase dagli Stati Uniti e’ venuto a Firenze e ha dipinto una “cagata” sulla casa di Dante Alighieri dando modo ai giornalisti, agli assessori comunali e ai denigratori di gettare merda sui graffiti writer.

C’e’ sempre stato qualcuno che non voleva che le carrozze dei treni della metropolitana di New York venissero dipinte e/o decorate, anche negli anni ’70. Adesso siamo nel 2000 pero’ e conosco gente ultraottantenne che riesce ad apprezzare questa forma di espressione (quando non è troppo invasiva e non va a toccare i monumenti).

A me non interessano le discussioni con quelli che considerano il graffiti writing una forma di vandalismo o un divertimento per ragazzini viziati. E’ cosi’ da millenni: anche nella preistoria qualcuno ha usato dei colori per decorare le pareti delle caverne a scopo propiziatorio per la caccia e altre attivita’ della sfera umana. Se non vi piacciono i graffiti o non siete daccordo con chi li pratica o se per qualsiasi altro motivo non vi interessa la cultura hip hop EVITATE DI LEGGERE QUESTO BLOG.

E comunque vada… e’ solo un po’ di vernice spray!!!

per maggiori informazioni sul graffiti writing come forma d’arte “invasiva”:

Scarica
(11 KB) | created 10 Maggio, 2007

“GRAFFITI/”WRITING”:
-AN “OBTRUSIVE” ART-”
Published for the Hip-Hop Project of “Forum Kultur” at Poznan and
Opalenica,October 2003
C:Copyright by.A.THIEL (2003)
URL of these pages:
http://people.freenet.de/graffitiforschung.de/OBTRU.htm
IN MEMORIAM ET HONOREM OF:Erik ROTHEIM (Norway) and Edward H.SEYMOUR
(US) that triggered “creative avalanches” by their invention and
adaption of spraycans.
Special thanks to Bernard ZOLYNAK for the invitation.

graffiti_an_obtrusive_art.txt


bonus clip: Cypress Hill – Strictly Hip Hop

http://www.youtube.com/watch?v=DDC18hjO3TE

Your friendly neighborhood THX 1138

Categories: graffiti writing, hip hop kulture Tags:

We B*Girlz Video + Foto (Martha Cooper)

August 16th, 2008 Comments off

Foto dal libro di MArtha Cooper "We B*Girlz":

Your Friendly Neighborhood THX 1138 

info:

http://www.bgirlz.com/

http://b-girlz-berlin.com/ 

Categories: breaking, hip hop kulture Tags: