VENERDÌ *23* DICEMBRE *2011*, dalle ore *16* alle *22*
dalle 18 *aperitivo*
selezione musicale di Antonio Notte & Friends
Guasto & Sizza vs. THX (live-set – ore 21.00)
*Fosca n°0*
rivista/fake a cura di *Fosca*
realizzazione grafica di Claudia Querci
retrospettiva cartacea sul triennio 2008-2011 dell’omonima ass. cult.
realizzata per Artissima Lido 2011
*IL RICAVATO DELLE DONAZIONI ANDRÀ A SOSTENERE LE ATTIVITÀ DI FOSCA*
*tiratura limitata 50 copie*
Dal 2010 è attivo il progetto permanente di arte pubblica *FRAU FRISÖR FOSCA*, all’interno dello spazio che per oltre 50 anni ha ospitato il barbiere
di Piazza Giorgini, nel quartiere di Rifredi a Firenze.
*FRAU FRISÖR FOSCA* delineandosi all’interno di questa cornice pone come
comune valore quello della parola, dell’intimità, della pausa, dello scambio, del cambiamento, dell’arte e si propone come luogo di apertura verso la piazza, i suoi abitanti e la città.
*DIFFONDI, SOSTIENI E PARTECIPA!*
Le giornate sono dedicate a *Samb Modou*, 40 anni, e *Diop Mor*, 54 anni, i
due senegalesi uccisi in piazza Dalmazia il 13 dicembre 2011.
VENERDì 9 DICEMBRE, dopo la chiusura degli spazi, tutti alla Casa della Creatività per il Private Flat#7 Opening Party
Firenze, Casa della Creatività/Palazzo Giovane
vicolo di Santa Maria Maggiore 1
Vi aspettiamo tutti dalle 20 alle 02!
Aperitivo dalle 20 alle 22.
—–
Suoni dal sottosuolo, live set con:
THX —- scratch, loops and beats
Ossessionato dai dischi in vinile fin da ragazzino inizia a suonare nel 1993 come bassista in varie rock band locali. Attivo come DJ dal 1997, nel 1998/99 entra nel giro dei rave illegali per rimanervi ben poco. Nei primi anni 2000 sonorizza dal vivo vari film muti con le Officine Cinematografiche di Jo La Face. Dal 2003 inizia ad esercitarsi seriamente nella tecnica dello scratching e inizia a comporre vari loop e beat.
Nel 2009 entra a far parte del collettivo Looperatoritaliani.
SISTEMI AUDIOFOBICI BURP —- will spin records in the colonial way
Founded in Florence in 2002 SISTEMI AUDIOFOBICI BURP is a dj collective mixing techniques and touching a wide variety of musics and approaches, focusing on free soul, punca, colonial, r&b, error, noise, afroamericana, abstract, classical mod and r’n’r
[Kool Keith]
Yeah, at forty thousand Kelvin it’s Dr. Octagon
With, the emperor general
Drop down to 40 G’s
[Sir Menelik]
Can science achieve a unified theory of a complex system
Permanently skeptical of friends of the institute
External faculty, that routinely exerts selective pressure
by killing less fit programs, life evolves, in cyberspace
Green and blue objects in self-replicating lightning
represents random mutations completely chaotic systems
such as turbulent fluids or heating gases are formless
Truly, complex amino bond traders appear at the border
between individual order {?} torturing stick to terms compiled
Among a list of 31 ways to define, grammatical
The degree of universiality in a language required to describe a style
Effective
The degree of regular, rather than random, information
For instance, complexity equals the capacity of an unexpecting observer
Thermodynamic depth, the amount of resources to put back a system
together from scratch, pioneering, engineering, cybernetic cellular calculus
Cooperating flatly contradicting predictable circumstances
Including uranium-235, is obtained, for bomb fission
[Sir Menelik] + (Kool Keith)
Can science achieve a unified theory of complex systems? (Maybe so)
Can science achieve a unified theory of complex systems? (Maybe so)
Can, science, ACHIEVE, a unified theory of complex systems? (Maybe so)
Can science achieve a unified theory of complex systems?
[Kool Keith]
Like carbon dioxide, you messin with the chemicals warfare
Different stars in atmosphere
Like Hailey’s Comet, computers that’ll make you vomit
CHANGE the earth cell saliva runnin in your mouth, gastric juice
More beyond since Mother Goose
Created shapes the first man with hairy apes
Seven, thirty-five, P.M.E.T.D.
Over props sprayin crops like D-D-T
The first arrival of Apollo 13 beamin down through raindrops
while pieces hit the scene
Atomic formats complex playin on, silver DAT’s
Guarded by sonic steel and takin off by Thundercats
You’re on the avenue wishin you could see me
My forcefield shuts in two eyes seein three of me
Illusions, fusion, particle gas confusion
I run space shuttles and me I’m gettin the solution
Takin off in bold, meet me at the black hole
Enzymes for your mind seems to move in tighter showin you the spectrums
The past WITH perfect lighter, you in my future now
[Kool Keith] + (Sir Menelik)
Is H20 a gas or a liquid? (Perhaps concepts could not explain)
Is H20 a gas or a liquid? (Perhaps concepts could not explain)
Is H20 a gas or a liquid? (Perhaps concepts could not explain)
Is H20 a gas or a liquid?
[Sir Menelik]
Psychology, is not applied biology
Nor is biology, applied chemistry
Level independent some degree of the levels above and below captive
Intricacies after a frenzy of interest, theories collapse
Perhaps concepts could not explain
irreversible concrete philosophical developments
Such an analysis, indicate, emergence
Naturally in simple society
The payoff matrix summarizes the scoring
Absolute software, thirty arc second strategy
like drops of water floating in a void
Unstable atoms orbit distant clouds, nuclear having, excess neutrinos
All protons teeter, on the edges of nuclear stability
or at drift lines under the stress, some develop a halo
Beo-radioactivity isotopes exotic
Depending on their velocities and charges narrow momentum distribution
forces directly reflected, electric, magnetic
C-22 ally 11, escape particle with vomit
Properties of the nucleus, V8
And a sun that produces easily detected, neutrinos
Much less than predicted standards can be designed can be ended
And it provides for continuing evolution of technology
while remaining compatible with existing, applications
And programming languages
[Sir Menelik] + (Kool Keith)
Psychology is not applied biology, nor is biology applied chemistry (what’s the issue?)
Psychology is not applied biology, nor is biology applied chemistry (what’s the issue?)
Psychology is not applied biology, nor is biology applied chemistry (what’s the issue?)
Psychology is not applied biology (what’s the issue) nor is biology applied, chemistry
[Kool Keith]
Delta 9, approximate time, I’m facin Venus
The sun is over there and nothin gets between us
You’re the earthling, try to float, it’s a mental thing
I got oxygen, eight hours of space time, you must return quick
Please, don’t waste time, you could die out here
The moon is a place of fear
With two minutes on the planet you’re only bound to panic
We have no extras, bags et cetera
Whenever your obstacles backfires you inflate in seconds
Nervous like flat tires, one second’s left to orbit his last breath
Telecast to Earth a astronaut didn’t make it
We move beyond your navigation and level of 32
Switchin like channel 13
Late at night you see a blank screen
Focus on “The Outer Limits” but you’re back on stage
On the line of scrimmage, I’m out here, come and get me
with no equipment call the President
Not even rocks or fossils left
Damaged by, the elements
[Kool Keith] + (Sir Menelik)
Is light, the source? (Touch my delicate instruments)
Is light, the source? (Touch my delicate instruments)
Is light, the source? (Touch my delicate instruments)
Is light, the source? (Touch, my delicate instruments)
Il personaggio di Dr. Octagon viene descritto come un chirurgo ginecologo omicida alieno viaggiatore del tempo; ha occhi gialli, pelle verde, capelli rosa e bianchi con pettinatura afro.
click on the link to go to the mixcloud page and listen to the cloudcast
clicca sul link qui sopra per andare alla pagina del cloudcast e ascoltare il mix
vinyl records ONLY
mp3 128 kbps stereo
compiled by THX
One of the foremost innovators of Skratching, (and the creator of the word “Turntablist”) DJ DISK not only remains one of the most technically impressive DJ’s in the world today, he has also single-handedly expanded the musical sensibility of Skratching, allowing for a instrument that was traditionally relegated to the background of Hip Hop, to be re-considered as a powerful and modern tool of musical expression. If Jazz has its Miles Davis, then Hip Hop has its DJ DISK.
Born in San Francisco in the 1970’s DJ DISK first discovered the idea of Turntableism by manipulating an old wooden turntable consul in his parents living room. DISK continued his exploration with his “instrument” and by the age of 11 was competing in SF DJ Battles and was considered a rising star throughout the then rapidly rising underground San Francisco Hip Hop scene.
But it was not until the early 90’s when DISK, pared with other embryonic turntable greats like DJ Qbert, Mix Master Mike and Flare, formed one of the most important and influential Turntable “Groups” in the history of the genre: THE INVISIBL SKRATCH PIKLZ. Lead by DISK (and colored by his insistence for musical innovation) the PIKLZ wild and frenetic exploration of hardcore Hip Hop would eventually set the bar for all other aspiring Turntable musicians. This “band” of Turntablist’s crafted their own unique D.I.Y sensibility and aesthetic (creating their own raw radio and TV show) and eventually became synonymous with all cutting edge Hip Hop performance and production. It’s widely known in Skratch circles that the Disco Mix Club (DMC), an international DJ association, asked the PIKLZ’s to stop entering in their DJ competitions, since they were discouraging other DJs from even bothering to enter. Disk would also create a master piece called ‘ DEMOLITION PUMKIN SQEEZE MUSIK for Qbert to make it one of the greatest mix tape of all time ”
After leaving the PIKLZ in 98 Disk hungered for new associations that would further stretch his musical abilities. Disk first started his successful solo career by releasing two classic albums of “Turntablist” expression, releasing albums under the EL STEW (1999) and PHONOSYCOGRAPH (1998) monikers. Disk then extensively toured with famed Producer Bill Laswell, playing alongside some of the worlds most respected Indian musicians (Zakir Hussain, Ulstad Sultan Khan) in Laswell’s famed TABLA BEAT SCIENCE, exposing his Turntabist genere to cultures in India, Dubai, Lebannon, China Russia and many others. Disk also toured worldwide with famed Jazz great HERBIE HANCOCK, improvising wildly against the Jazz masters piano textures to create a new space yet unheard in contemporary Jazz.
DISK has been involved in over 100 released recorded works and has continued to tour extensively with a wide range of musicians, representing a myriad of genres (Primus, Serge – System Of A Down, Wayne Shorter, Nora Jones, Mike Patton..to name just a few) and has released over 30 live DVD’s of his work, creating a fan base of devoted and dedicated followers. His rare Break Beat EP’s are still considered some of the great templates for young DJ’s to practice their craft on and are treasured by the underground Hip Hop community.
In 2006 ” long over due said GRANDMIXER DXT ” DISK was knighted as the 3rd GRANDMASTER in HIP HOP history next to QBERT and ROC RAIDER ” DISK has recently completed filming on “Sympathy For Delicious” a major motion picture with ACADEMY AWARD NOMINEE MARK RUFFALO and is currently working on his latest recorded project (over 5 years in the making) entitled “PATU”.
“He’s the Jimmy Hendrix of the turntable” – Les Claypool – Primus
Time is truly wastin’
There’s no guarantee
Smile’s in the makin’
You gotta fight the powers that be
Got so many forces
Stayin’ on the scene
Givin’ up all around me
Faces full a’ pain
I can’t play my music
They say my music’s too loud
I kept talkin about it
I got the big run around
When I rolled with the punches
I got knocked on the ground
With all this bullshit going down
Time is truly wastin’
There’s no guarantee
Smile’s in the makin’
You gotta fight the powers that be
I don’t understand it
People wanna see, ya
Those that got the answers
Red tape in the way
I could take you in easy
That’s just half the fun, oh boy
Seeking satisfaction
Keeps me on the run
I can’t play my music
They say my music’s too loud
I kept talkin about it
I got the big run around
When I rolled with the punches
I got knocked on the ground
With all this bullshit going down
Time is truly wastin’
There’s no guarantee
Smile’s in the makin’
You gotta fight the powers that be
If you & I can – we got the power
Fight it, got the power fight it……..baby, baby
Fight it, fight the power
