Sabato scorso ho trovato un Boss Dr. Sample SP-303 (phrase sampler) in ottimo stato (sembra nuovo di pacca) a un prezzo più che ragionevole.
Memory card da 64 mb, manuale in italiano e alimentatore originale.
Questi i risultati (per adesso le uniche cose che ho registrato):
VENERDì 9 DICEMBRE, dopo la chiusura degli spazi, tutti alla Casa della Creatività per il Private Flat#7 Opening Party
Firenze, Casa della Creatività/Palazzo Giovane
vicolo di Santa Maria Maggiore 1
Vi aspettiamo tutti dalle 20 alle 02!
Aperitivo dalle 20 alle 22.
—–
Suoni dal sottosuolo, live set con:
THX —- scratch, loops and beats
Ossessionato dai dischi in vinile fin da ragazzino inizia a suonare nel 1993 come bassista in varie rock band locali. Attivo come DJ dal 1997, nel 1998/99 entra nel giro dei rave illegali per rimanervi ben poco. Nei primi anni 2000 sonorizza dal vivo vari film muti con le Officine Cinematografiche di Jo La Face. Dal 2003 inizia ad esercitarsi seriamente nella tecnica dello scratching e inizia a comporre vari loop e beat.
Nel 2009 entra a far parte del collettivo Looperatoritaliani.
SISTEMI AUDIOFOBICI BURP —- will spin records in the colonial way
Founded in Florence in 2002 SISTEMI AUDIOFOBICI BURP is a dj collective mixing techniques and touching a wide variety of musics and approaches, focusing on free soul, punca, colonial, r&b, error, noise, afroamericana, abstract, classical mod and r’n’r
Sylvia Robinson (March 6, 1936 – September 29, 2011) was an American singer, musician, record producer, and record label executive, most notably known for her work as founder/CEO of the hip hop label Sugar Hill Records. She is credited as the driving force behind two landmark singles in the genre. The first was “Rapper’s Delight” by the Sugarhill Gang, which was the first rap song to be released by a hip hop act.[1] The second was “The Message” by Grandmaster Flash & the Furious Five.
She co-wrote and produced Grandmaster Flash & the Furious Five’s most successful single, “The Message”, which is credited as the rap song that brought socially conscious lyrics into hip hop. She persuaded the group to record the song while it was still an estranged demo recording, surprisingly created by a studio percussionist for the Sugar Hill Gang.[8] By commercializing the market for rap records, Robinson is credited as the mother of modern hip hop. The song “Rapper’s Delight” brought rap into the public music arena, and revolutionized the music industry as it introduced the idea of re-using existing compositions, a practice that later became known as “sampling”.
Il personaggio di Dr. Octagon viene descritto come un chirurgo ginecologo omicida alieno viaggiatore del tempo; ha occhi gialli, pelle verde, capelli rosa e bianchi con pettinatura afro.
Hip hop’s last enigma sits down on the Academy couch to break down the message behind the mask, rap beef behind his different personas, and why good things come to those who wait.
click on the link to go to the mixcloud page and listen to the cloudcast
clicca sul link qui sopra per andare alla pagina del cloudcast e ascoltare il mix
vinyl records ONLY
mp3 128 kbps stereo
compiled by THX
One of the foremost innovators of Skratching, (and the creator of the word “Turntablist”) DJ DISK not only remains one of the most technically impressive DJ’s in the world today, he has also single-handedly expanded the musical sensibility of Skratching, allowing for a instrument that was traditionally relegated to the background of Hip Hop, to be re-considered as a powerful and modern tool of musical expression. If Jazz has its Miles Davis, then Hip Hop has its DJ DISK.
Born in San Francisco in the 1970’s DJ DISK first discovered the idea of Turntableism by manipulating an old wooden turntable consul in his parents living room. DISK continued his exploration with his “instrument” and by the age of 11 was competing in SF DJ Battles and was considered a rising star throughout the then rapidly rising underground San Francisco Hip Hop scene.
But it was not until the early 90’s when DISK, pared with other embryonic turntable greats like DJ Qbert, Mix Master Mike and Flare, formed one of the most important and influential Turntable “Groups” in the history of the genre: THE INVISIBL SKRATCH PIKLZ. Lead by DISK (and colored by his insistence for musical innovation) the PIKLZ wild and frenetic exploration of hardcore Hip Hop would eventually set the bar for all other aspiring Turntable musicians. This “band” of Turntablist’s crafted their own unique D.I.Y sensibility and aesthetic (creating their own raw radio and TV show) and eventually became synonymous with all cutting edge Hip Hop performance and production. It’s widely known in Skratch circles that the Disco Mix Club (DMC), an international DJ association, asked the PIKLZ’s to stop entering in their DJ competitions, since they were discouraging other DJs from even bothering to enter. Disk would also create a master piece called ‘ DEMOLITION PUMKIN SQEEZE MUSIK for Qbert to make it one of the greatest mix tape of all time ”
After leaving the PIKLZ in 98 Disk hungered for new associations that would further stretch his musical abilities. Disk first started his successful solo career by releasing two classic albums of “Turntablist” expression, releasing albums under the EL STEW (1999) and PHONOSYCOGRAPH (1998) monikers. Disk then extensively toured with famed Producer Bill Laswell, playing alongside some of the worlds most respected Indian musicians (Zakir Hussain, Ulstad Sultan Khan) in Laswell’s famed TABLA BEAT SCIENCE, exposing his Turntabist genere to cultures in India, Dubai, Lebannon, China Russia and many others. Disk also toured worldwide with famed Jazz great HERBIE HANCOCK, improvising wildly against the Jazz masters piano textures to create a new space yet unheard in contemporary Jazz.
DISK has been involved in over 100 released recorded works and has continued to tour extensively with a wide range of musicians, representing a myriad of genres (Primus, Serge – System Of A Down, Wayne Shorter, Nora Jones, Mike Patton..to name just a few) and has released over 30 live DVD’s of his work, creating a fan base of devoted and dedicated followers. His rare Break Beat EP’s are still considered some of the great templates for young DJ’s to practice their craft on and are treasured by the underground Hip Hop community.
In 2006 ” long over due said GRANDMIXER DXT ” DISK was knighted as the 3rd GRANDMASTER in HIP HOP history next to QBERT and ROC RAIDER ” DISK has recently completed filming on “Sympathy For Delicious” a major motion picture with ACADEMY AWARD NOMINEE MARK RUFFALO and is currently working on his latest recorded project (over 5 years in the making) entitled “PATU”.
“He’s the Jimmy Hendrix of the turntable” – Les Claypool – Primus
[MC Serch]
Aiyyo man, my labelmate Don Newkirk
Man step to him
[Don Newkirk]
Thanks Serch!
And now… for the Prime Minister
Sinister.. Pete.. N-hi-hi-hi-hi-hi-hice!
Nice Nice Nice
[MC Serch]
Kick em in the grill Pete!
[Verse One: Pete Nice]
Gas, past tense, made facially
3rd Bass’ll express, KMD
Three blind mice on sight
Zev Lover, gave it the first light
A grin shows a trick up a sleeve (HUAHAH)
What a tangled web they weave
Deceivers, stupefied through fable
say Let’s Make a Deal at the dinner table
Put you on tour, put your record on wax (“Trust me!”)
Sign your life on the X
You eXit, X-off, but what you really get:
A box of Newports, and Puma sweats (“Damn!”)
Tex feeds and frowns upon Emus
To give up Gas Face he drinks from a Thermos
Sub Roc cut at you with a clipper
Gas Face given, I beg to differ
[MC Serch]
Pete that was real def man but I gotta get serious now
Aiyyo Don, step to em again
[Don Newkirk]
Everybody.. MC Serch!
[Verse Two: MC Serch]
Black cat is bad luck, bad guys wear black
Musta been a white guy who started all that
(Make the Gas Face!) For those little white lies
My expression to the mountainous blue eyes
Then form a face, and shake my skull cap
Dismiss the myth, that evil is not black
but opposite spectrum, this done by red man
with horns on his head, laid down the ill plan
Got all his helpers, said, “Make it snappy!
Tell all the people that their hair can’t be nappy!”
Blonde and blue-eyed, or dark-skinned half a G
A disease, created by leprosy
Don’t speak of bleach, bend them to right
Say, “It was night WAY before the light”
Put aside spooks, Serch leaves a trace
I’ve set em correct with the effect of the Gas Face
[MC Serch]
Next up Don
[Don Newkirk]
A SPECIAL appearance by KMD’s.. Zev, Love, ehhXssss!
[Verse Three: Zev Love X]
A Gas Face, can either be a smile or a smirk
When appears, a monkey wrench to work one’s clockwork
Perkin his brim to the rim of my cup
Don’t tempt me, you’re empty, so fill’er up!
Is I’m talkin coffee or cocoa, is you loco?
Cash or credit for unleaded at Sunoco
KMD and 3rd Bass is just ace in the hole
I mean soul, so make the Gas Face (HUAHAHA)
Damn, if looks could kill
You look like host was a ghost from your grill
But still, what’s the new fed, to recollect
to our passing phase to facades to Eddie Decker
for my label reads Hood, street might have a tattoo
Don’t pick any card or no rabbit from my hat
Never a magician if I ever tricked em
“Oh shit!” Another Gas Face victim
[MC Serch]
There it is, yo fellas man
Why don’t you step to the mic man?
[Zev Love X]
That’s how I kicks it, for 80-deca
[MC Serch]
Aiyyo, good lookin out Don man peace
Punji, yo who gets the Gas Face?
[Punji] Little Vic for the Gas Face
[Serch] Tony Dick, gets the Gas Face
[Zev X] No Gas Faces for Plugs One Two and Three
[Serch] No Gas Face for Professor Prince Pa-paul!
[?] My friend Tina gets the big Gas Face
[Zev X] No Gas Face for DJ Subroc
[Serch] No Gas Face for KMD
[PNice] Hammer, shut the fuck up! Gas Face! AHUAHAUAH!
[all] WHAHAHAOAHH
[PNice] What do we think about Hammer? HAOWAHWOHAHBHABHAHBHAHBBHB
[?] G.Y.P.
[Serch] Get Yours Posse does not get the Gas Face
[Serch] But P. W. Botha gets a Gas Face
[all] WHOAHBLBLAHBHA-WHOO!
[?] Dante Ross gets the Gas Face
[Serch] Yo stop dissin Dante on records y’all!
[Serch] Elroy.. Elroy.. Elroy Cohen, gets the Gas Face!
HAHAhahahahahaha, that’s all..
